カタログ
| 発行体 | Agiulfus |
|---|---|
| 年号 | 596-613 |
| 種類 | Standard circulation coin |
| 額面 | 1 Tremissis (⅓) |
| 通貨 | Tremissis (476-670) |
| 材質 | Gold |
| 重量 | 1.27 g |
| 直径 | 26 mm |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Hammered |
| 向き | Variable alignment ↺ |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | HMZ 1#73 |
| 表面の説明 | Heavily stylized head with long hair from the front. |
|---|---|
| 表面の文字体系 | Latin |
| 表面の銘文 |
D N TEO[ ]AHA[ ]VS (Translation: Our lord Theuderic.) |
| 裏面の説明 | Cross, Retrograde legend. |
| 裏面の文字体系 | Latin |
| 裏面の銘文 |
AVENTICES F (Translation: Minted in Avenches.) |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
ND (596-613) - - |
| Numisquare ID | 6833779800 |
| 追加情報 |
Historical Context: This Tremissis, issued by monetarius Agiulfus at the Avenches mint, dates to Theuderic II's reign (596-613), a Merovingian king of Burgundy and Austrasia. This period saw Merovingian power consolidate, but coinage remained decentralized. Such "pseudo-imperial" issues highlight the enduring importance of local mints like Avenches (ancient Aventicum) and the authority granted to regional mintmasters, like Agiulfus, to strike gold coinage in the king's name, reflecting economic stability in a transitional era.
Artistry: The design adheres to the "barbarian" style prevalent in early Merovingian numismatics, characterized by significant abstraction of classical Roman prototypes. While Agiulfus is the issuer, the stylistic school features progressive schematization. The obverse presents a highly stylized, often crude bust representing the monarch, with a blundered or abbreviated legend. The reverse commonly displays a cross potent on steps, a motif derived from late Roman and Byzantine coinage, accompanied by the mint name and the monetarius's name.
Technical/Grading: Struck in gold to a weight of 1.27 grams, consistent with the tremissis standard, this example exhibits an unusually broad flan of 26 millimeters, suggesting an exceptionally thin strike. High-points, such as the bust's features and the cross's arms and steps, are often weakly rendered due to crude dies and striking techniques. Off-center strikes and irregular flan shapes are common, leading to partial legends. Despite these technical limitations, the gold purity for these issues was generally high.