Katalog
| Emitent | Agiulfus |
|---|---|
| Rok | 596-613 |
| Typ | Standard circulation coin |
| Hodnota | 1 Tremissis (⅓) |
| Měna | Tremissis (476-670) |
| Složení | Gold |
| Hmotnost | 1.27 g |
| Průměr | 26 mm |
| Tloušťka | |
| Tvar | Round (irregular) |
| Technika | Hammered |
| Orientace | Variable alignment ↺ |
| Rytci | |
| V oběhu do | |
| Reference | HMZ 1#73 |
| Popis líce | Heavily stylized head with long hair from the front. |
|---|---|
| Písmo líce | Latin |
| Opis líce |
D N TEO[ ]AHA[ ]VS (Translation: Our lord Theuderic.) |
| Popis rubu | Cross, Retrograde legend. |
| Písmo rubu | Latin |
| Opis rubu |
AVENTICES F (Translation: Minted in Avenches.) |
| Hrana | |
| Mincovna | |
| Náklad |
ND (596-613) - - |
| ID Numisquare | 6833779800 |
| Další informace |
Historical Context: This Tremissis, issued by monetarius Agiulfus at the Avenches mint, dates to Theuderic II's reign (596-613), a Merovingian king of Burgundy and Austrasia. This period saw Merovingian power consolidate, but coinage remained decentralized. Such "pseudo-imperial" issues highlight the enduring importance of local mints like Avenches (ancient Aventicum) and the authority granted to regional mintmasters, like Agiulfus, to strike gold coinage in the king's name, reflecting economic stability in a transitional era.
Artistry: The design adheres to the "barbarian" style prevalent in early Merovingian numismatics, characterized by significant abstraction of classical Roman prototypes. While Agiulfus is the issuer, the stylistic school features progressive schematization. The obverse presents a highly stylized, often crude bust representing the monarch, with a blundered or abbreviated legend. The reverse commonly displays a cross potent on steps, a motif derived from late Roman and Byzantine coinage, accompanied by the mint name and the monetarius's name.
Technical/Grading: Struck in gold to a weight of 1.27 grams, consistent with the tremissis standard, this example exhibits an unusually broad flan of 26 millimeters, suggesting an exceptionally thin strike. High-points, such as the bust's features and the cross's arms and steps, are often weakly rendered due to crude dies and striking techniques. Off-center strikes and irregular flan shapes are common, leading to partial legends. Despite these technical limitations, the gold purity for these issues was generally high.