Katalog
| Emitent | Tripolis (Phoenician cities) |
|---|---|
| Rok | 200 BC - 100 BC |
| Typ | Standard circulation coin |
| Nominał | |
| Waluta | Drachm |
| Skład | Silver |
| Waga | 15.05 g |
| Średnica | 26 mm |
| Grubość | |
| Kształt | Round |
| Technika | Hammered |
| Orientacja | Medal alignment ↑↑ |
| Rytownik(zy) | |
| W obiegu do | |
| Źródło(a) |
| Opis awersu | Jugate laureate and draped busts of the Dioskouroi right facing, and a star above each of them. |
|---|---|
| Pismo awersu | |
| Legenda awersu | |
| Opis rewersu | Goddess Tyche turreted and draped, standing front, head to left, holding tiller in her right hand and cornucopiae in her left |
| Pismo rewersu | Greek |
| Legenda rewersu |
ΤΡΙΠΟΛΙΤΩΝ ΤΗΣ ΙΕΡΑΣ KΑΙ - ΑΥΤΟΝΟΜΟΥ ΘE BΛ (Translation: OF THE HOLY AND AUTONOMOUS CITY - TYCHE) |
| Krawędź | |
| Mennica | |
| Nakład |
ND (200 BC - 100 BC) - - |
| ID Numisquare | 7103337620 |
| Dodatkowe informacje |
Historical Context: This Tetradrachm, issued by Tripolis (200-100 BC), reflects a Hellenistic era of evolving geopolitical landscape. As a confederation of Phoenician cities, Tripolis enjoyed autonomy, minting coinage on the Aradian standard, signifying strong commercial ties. This period saw shifting power between the Seleucid Empire and the rising Roman Republic, allowing Tripolis to flourish as a vital maritime trade hub, its coinage facilitating extensive commerce.
Artistry: Exemplifying the Hellenistic artistic school, the obverse commonly features a finely rendered bust of Tyche, patron goddess of fortune, depicted veiled and wearing a mural crown, symbolizing the city's fortifications and prosperity. The reverse typically displays two crossed cornucopiae, abundant with produce, often with a palm branch, symbolizing fertility and wealth, accompanied by the city's ethnic inscription in Greek, reflecting cultural synthesis.
Technical/Grading: Struck in silver to 15.05 gg and 26 mm, this coin adheres to the Aradian standard. For grading, key high-points on the obverse include Tyche's mural crown, hair, and facial features. On the reverse, the tops of the cornucopiae and intricate fruit details are crucial. A well-struck example exhibits full detail in these areas, though minor flan imperfections or slight off-centering are not uncommon for issues of this period.