カタログ
全画像を表示 — 無料登録
Googleで続ける — 無料
またはメールで登録
登録が必要な理由は？ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します！
| 表面の説明 | ログイン して詳細を見る |
|---|---|
| 表面の文字体系 | ログイン して詳細を見る |
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | Herakles standing to the left in the nude, holding a club upright in his right hand and the Nemean lion's skin draped over his left arm, closely following the iconographic scheme of the Thasian tetradrachm prototype. The figure is rendered in a somewhat stylized Celtic manner, with the musculature simplified relative to the Hellenistic original. The Greek inscription HPAKΛEOYΣ appears to the right of the figure and ΣΩTHPOΣ to the left, with ΘAΣIΩN in the lower exergual area; a monogram appears in the inner left field. The overall composition imitates the reverse type of the autonomous silver coinage of Thasos, adapted by Celtic die-cutters active in Eastern Europe. |
| 裏面の文字体系 | Greek |
| 裏面の銘文 | ログイン して詳細を見る |
| 縁 | ログイン して詳細を見る |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
The Thasian tetradrachm became a template for Celtic imitators across Thrace and the Danube basin after Thasos resumed striking silver around 148 BC following a Roman-imposed suspension. Celtic workshops copied the type so prolifically — and with such progressive stylistic degradation across generations of die-cutting — that distinguishing early faithful imitations from later abstractions requires close attention to fabric and flan shape rather than design legibility alone. Göbl's classification of these into discrete die classes reflects decades of effort to impose order on what was essentially decentralized, tribal production with no mint authority in any formal sense.