Tetradrachm Kegelreiter Type

Emittente Dacians of Transylvania
Anno 200 BC - 101 BC
Tipo Standard circulation coin
Valore Tetradrachm (4)
Valuta Drachm
Composizione Silver
Peso 12.63 g
Diametro 23 mm
Spessore
Forma Round (irregular)
Tecnica Hammered
Orientamento Variable alignment ↺
Incisore/i
In circolazione fino al
Riferimento/i Kostial#660, Göbl Kelt#Pl. 27, 311/4
Descrizione del dritto Celticised, laureate and bearded head of Zeus to right.
Scrittura del dritto
Legenda del dritto
Descrizione del rovescio Rider on horseback to left.
Scrittura del rovescio
Legenda del rovescio
Bordo
Zecca
Tiratura ND (200 BC - 101 BC) - -
ID Numisquare 4576101840
Informazioni aggiuntive

Historical Context: This Tetradrachm, issued by the Dacians of Transylvania (200-101 BC), marks a pivotal pre-Burebista era. Dacian tribal confederations were consolidating power, trading, and interacting with Celtic neighbors and the expanding Roman Republic. Substantial silver coinage, often imitating Greek and Macedonian prototypes, served as a medium of exchange and a symbol of economic autonomy and political identity among Dacian groups.

Artistry: The engraver remains anonymous, typical of tribal coinage. Stylistically, it belongs to a "barbaric" imitation school, heavily influenced by Macedonian Tetradrachms. The obverse features a highly stylized, abstract head, often a degenerate interpretation of a Hellenistic deity. The reverse, giving the coin its "Kegelreiter" (cone rider) designation, depicts a simplified horse and rider, frequently rendered with a conical head or body, embodying a unique local artistic interpretation distinct from Hellenistic origins.

Technical/Grading: Struck in silver, this example weighs 12.63 grams and measures 23 millimeters, adhering to typical Tetradrachm standards. Key high-points on the obverse include clarity of stylized facial features. On the reverse, the horse's body, legs, and the rider's conical form are crucial for assessing strike quality. Dacian issues often exhibit variable centering and strike pressure, sometimes resulting in partial design loss, yet well-preserved examples show crisp central motifs.

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