Tetradrachm Kegelreiter Type

Emittent Dacians of Transylvania
Jahr 200 BC - 101 BC
Typ Standard circulation coin
Nennwert Tetradrachm (4)
Währung Drachm
Material Silver
Gewicht 12.63 g
Durchmesser 23 mm
Dicke
Form Round (irregular)
Prägetechnik Hammered
Ausrichtung Variable alignment ↺
Stempelschneider
Im Umlauf bis
Referenz(en) Kostial#660, Göbl Kelt#Pl. 27, 311/4
Aversbeschreibung Celticised, laureate and bearded head of Zeus to right.
Aversschrift
Averslegende
Reversbeschreibung Rider on horseback to left.
Reversschrift
Reverslegende
Rand
Prägestätte
Auflage ND (200 BC - 101 BC) - -
Numisquare-ID 4576101840
Zusätzliche Informationen

Historical Context: This Tetradrachm, issued by the Dacians of Transylvania (200-101 BC), marks a pivotal pre-Burebista era. Dacian tribal confederations were consolidating power, trading, and interacting with Celtic neighbors and the expanding Roman Republic. Substantial silver coinage, often imitating Greek and Macedonian prototypes, served as a medium of exchange and a symbol of economic autonomy and political identity among Dacian groups.

Artistry: The engraver remains anonymous, typical of tribal coinage. Stylistically, it belongs to a "barbaric" imitation school, heavily influenced by Macedonian Tetradrachms. The obverse features a highly stylized, abstract head, often a degenerate interpretation of a Hellenistic deity. The reverse, giving the coin its "Kegelreiter" (cone rider) designation, depicts a simplified horse and rider, frequently rendered with a conical head or body, embodying a unique local artistic interpretation distinct from Hellenistic origins.

Technical/Grading: Struck in silver, this example weighs 12.63 grams and measures 23 millimeters, adhering to typical Tetradrachm standards. Key high-points on the obverse include clarity of stylized facial features. On the reverse, the horse's body, legs, and the rider's conical form are crucial for assessing strike quality. Dacian issues often exhibit variable centering and strike pressure, sometimes resulting in partial design loss, yet well-preserved examples show crisp central motifs.

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