カタログ
| 発行体 | Laodikeia (Phrygia) |
|---|---|
| 年号 | 49 BC - 48 BC |
| 種類 | Standard circulation coin |
| 額面 | Tetradrachm (4) |
| 通貨 | Cistophoric drachm |
| 材質 | Silver |
| 重量 | 12.87 g |
| 直径 | 28 mm |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Hammered |
| 向き | Medal alignment ↑↑ |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 |
| 表面の説明 | Serpent emerging to left from a partially open cista mystica; around, ivy wreath. |
|---|---|
| 表面の文字体系 | |
| 表面の銘文 | |
| 裏面の説明 | Two upwardly coiling snakes; between their heads, hexastyle round temple, surmounted by statue of Athena; to right, winged caduceus. |
| 裏面の文字体系 | Greek |
| 裏面の銘文 | C FAN PONT PRO Β ΛΑΟ ΚΑΦΙΣΟΚΛΗΣ ΕΥΑΡΧΟΥ |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
ND (49 BC - 48 BC) - - |
| Numisquare ID | 9836865750 |
| 追加情報 |
Historical Context: This tetradrachm, issued by Laodikeia in Phrygia between 49 and 48 BC, falls squarely within the turbulent period of Caesar's Civil War. Bearing the name of local magistrate Kaphisokles son of Euarchos, its production was undoubtedly influenced by the broader Roman political landscape. These issues were crucial for financing local operations or military expenditures during a time of immense uncertainty and shifting allegiances within the Roman province of Asia, highlighting Laodikeia's continued civic autonomy under Roman provincial administration.
Artistry: The design typically adheres to the Hellenistic tradition, characterized by skilled local engravers working within established iconographic norms. While specific engraver names are rare, the artistry often displays a robust, if sometimes provincial, interpretation of classical forms. The obverse almost invariably features the laureate head of Zeus Laodikeus, rendered with a dignified and powerful expression. The reverse commonly depicts a standing figure, such as Artemis Anaitis, accompanied by civic symbols or monograms, reflecting local religious and civic identity.
Technical/Grading: Struck on a silver flan weighing 12.87 grams and measuring 28 millimeters, this coin exemplifies the standard specifications for a tetradrachm of the era. High-points for a typical Zeus obverse include the brow, hair, and beard details; on the reverse, drapery folds and limb musculature are critical. Technical strike qualities vary; common issues include minor off-centering, slight die wear, and occasional flan imperfections. A well-struck example exhibits sharp detail on both sides, particularly in the deity's intricate features and the legend.