Danh mục
| Đơn vị phát hành | Caleti |
|---|---|
| Năm | 125 BC - 100 BC |
| Loại | Standard circulation coin |
| Mệnh giá | 1 Stater |
| Tiền tệ | |
| Chất liệu | Gold |
| Trọng lượng | 7.78 g |
| Đường kính | 20 mm |
| Độ dày | |
| Hình dạng | Round (irregular) |
| Kỹ thuật | Hammered |
| Hướng | |
| Nghệ nhân khắc | |
| Lưu hành đến | |
| Tài liệu tham khảo | Sp#3, V#30, Mack#5, DT#90 |
| Mô tả mặt trước | Defaced head of Apollo. |
|---|---|
| Chữ viết mặt trước | |
| Chữ khắc mặt trước | |
| Mô tả mặt sau | Celticized horse right, stylized charioteer above, big pellet between the legs. Imitation of inscription below. |
| Chữ viết mặt sau | |
| Chữ khắc mặt sau | |
| Cạnh | |
| Xưởng đúc | |
| Số lượng đúc |
ND (125 BC - 100 BC) - - |
| ID Numisquare | 3694333620 |
| Thông tin bổ sung |
Historical Context: The Caleti "Stater large pellet" dates from 125-100 BC, placing it within the late Iron Age, a period of significant Celtic tribal autonomy in Gaul prior to extensive Roman conquest. Issued by the Caleti, a powerful tribe inhabiting the region of modern Normandy, this gold stater served as a crucial medium for high-value transactions, trade, and the assertion of tribal identity. Its production reflects the economic sophistication and independent metallurgical traditions of the Caleti, who maintained strong cultural and commercial links across Gaul.
Artistry: Characteristic of Celtic numismatic art, this stater exhibits a highly stylized interpretation of classical prototypes, likely derived from Macedonian staters of Philip II. While no specific engraver is known, the design belongs to the distinct Celtic artistic school, which favored abstraction and fragmentation over classical realism. The "large pellet" likely refers to a prominent, perhaps exaggerated, feature within the stylized obverse head or the often-disarticulated reverse horse, underscoring the unique aesthetic sensibilities of the Caleti artisans.
Technical/Grading: Struck in gold at 7.78 grams and 20 millimeters, this stater’s technical quality can vary. High-points for grading typically include the prominent features of the stylized obverse head, such as the hair or eye, and key elements of the reverse animal, like the mane or body contours. A well-struck example will exhibit a relatively full flan, good centering, and clear rendition of the intricate abstract details, which are often subject to weak strikes or off-center placement due to the nature of Celtic minting practices.