Stater large pellet

Emittente Caleti
Anno 125 BC - 100 BC
Tipo Standard circulation coin
Valore 1 Stater
Valuta
Composizione Gold
Peso 7.78 g
Diametro 20 mm
Spessore
Forma Round (irregular)
Tecnica Hammered
Orientamento
Incisore/i
In circolazione fino al
Riferimento/i Sp#3, V#30, Mack#5, DT#90
Descrizione del dritto Defaced head of Apollo.
Scrittura del dritto
Legenda del dritto
Descrizione del rovescio Celticized horse right, stylized charioteer above, big pellet between the legs. Imitation of inscription below.
Scrittura del rovescio
Legenda del rovescio
Bordo
Zecca
Tiratura ND (125 BC - 100 BC) - -
ID Numisquare 3694333620
Informazioni aggiuntive

Historical Context: The Caleti "Stater large pellet" dates from 125-100 BC, placing it within the late Iron Age, a period of significant Celtic tribal autonomy in Gaul prior to extensive Roman conquest. Issued by the Caleti, a powerful tribe inhabiting the region of modern Normandy, this gold stater served as a crucial medium for high-value transactions, trade, and the assertion of tribal identity. Its production reflects the economic sophistication and independent metallurgical traditions of the Caleti, who maintained strong cultural and commercial links across Gaul.

Artistry: Characteristic of Celtic numismatic art, this stater exhibits a highly stylized interpretation of classical prototypes, likely derived from Macedonian staters of Philip II. While no specific engraver is known, the design belongs to the distinct Celtic artistic school, which favored abstraction and fragmentation over classical realism. The "large pellet" likely refers to a prominent, perhaps exaggerated, feature within the stylized obverse head or the often-disarticulated reverse horse, underscoring the unique aesthetic sensibilities of the Caleti artisans.

Technical/Grading: Struck in gold at 7.78 grams and 20 millimeters, this stater’s technical quality can vary. High-points for grading typically include the prominent features of the stylized obverse head, such as the hair or eye, and key elements of the reverse animal, like the mane or body contours. A well-struck example will exhibit a relatively full flan, good centering, and clear rendition of the intricate abstract details, which are often subject to weak strikes or off-center placement due to the nature of Celtic minting practices.

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