Каталог
| Эмитент | Arverni |
|---|---|
| Год | 120 BC - 60 BC |
| Тип | Standard circulation coin |
| Номинал | 1 Stater |
| Валюта | |
| Состав | Gold |
| Вес | 7.4 g |
| Диаметр | 17 mm |
| Толщина | |
| Форма | Round (irregular) |
| Техника | Hammered |
| Ориентация | Variable alignment ↺ |
| Гравёр(ы) | |
| В обращении до | |
| Каталожные номера | DT#3374-3376, LT#5281 var. |
| Описание аверса | Laureate male head to left. |
|---|---|
| Письменность аверса | |
| Надписи аверса | |
| Описание реверса | Charioteer, holding kentron in his right hand and reins in his left, driving horse to right; below, lyre. |
| Письменность реверса | |
| Надписи реверса | |
| Гурт | |
| Монетный двор | |
| Тираж |
ND (120 BC - 60 BC) - Late 2nd-early 1st century BC - |
| ID Numisquare | 4756035480 |
| Дополнительная информация |
Historical Context: This gold stater originates from the Arverni, a dominant Gallic tribe of central Gaul during the late Iron Age (120-60 BC). This period predates Caesar's conquest, marking the zenith of Arverni power and independence. Their vast wealth, derived from strategic trade routes and mineral resources, underpinned a sophisticated economy. Gold coinage, like this stater, served as a crucial medium for tribal transactions and a symbol of their political autonomy and economic strength before Roman subjugation.
Artistry: While the engraver remains anonymous, this stater exemplifies the distinctive Celtic interpretation of Hellenistic prototypes. The obverse features a highly stylized charioteer, facing right, a dynamic abstraction from Macedonian models. The reverse, often depicting a similarly abstract horse, here incorporates a unique "lyre" motif, possibly a localized symbol or a further artistic evolution. The design showcases the characteristic curvilinear forms and energetic abstraction of Gallic artistry, moving beyond mere imitation to a unique tribal expression.
Technical/Grading: Struck in 7.4 grams of gold with a diameter of 17 mm, this stater adheres to the typical specifications for its type. High points for wear and strike weakness would commonly include the charioteer's head and the central elements of the reverse design. Due to the artisanal striking methods of the era, variations in strike quality, centering, and planchet shape are common. A well-preserved example would exhibit a strong strike, clear details, and minimal flan imperfections, reflecting the high purity of the gold alloy.