Catalogue
| Émetteur | Arverni |
|---|---|
| Année | 120 BC - 60 BC |
| Type | Standard circulation coin |
| Valeur | 1 Stater |
| Devise | |
| Composition | Gold |
| Poids | 7.4 g |
| Diamètre | 17 mm |
| Épaisseur | |
| Forme | Round (irregular) |
| Technique | Hammered |
| Orientation | Variable alignment ↺ |
| Graveur(s) | |
| En circulation jusqu’à | |
| Référence(s) | DT#3374-3376, LT#5281 var. |
| Description de l’avers | Laureate male head to left. |
|---|---|
| Écriture de l’avers | |
| Légende de l’avers | |
| Description du revers | Charioteer, holding kentron in his right hand and reins in his left, driving horse to right; below, lyre. |
| Écriture du revers | |
| Légende du revers | |
| Tranche | |
| Atelier | |
| Tirage |
ND (120 BC - 60 BC) - Late 2nd-early 1st century BC - |
| ID Numisquare | 4756035480 |
| Informations supplémentaires |
Historical Context: This gold stater originates from the Arverni, a dominant Gallic tribe of central Gaul during the late Iron Age (120-60 BC). This period predates Caesar's conquest, marking the zenith of Arverni power and independence. Their vast wealth, derived from strategic trade routes and mineral resources, underpinned a sophisticated economy. Gold coinage, like this stater, served as a crucial medium for tribal transactions and a symbol of their political autonomy and economic strength before Roman subjugation.
Artistry: While the engraver remains anonymous, this stater exemplifies the distinctive Celtic interpretation of Hellenistic prototypes. The obverse features a highly stylized charioteer, facing right, a dynamic abstraction from Macedonian models. The reverse, often depicting a similarly abstract horse, here incorporates a unique "lyre" motif, possibly a localized symbol or a further artistic evolution. The design showcases the characteristic curvilinear forms and energetic abstraction of Gallic artistry, moving beyond mere imitation to a unique tribal expression.
Technical/Grading: Struck in 7.4 grams of gold with a diameter of 17 mm, this stater adheres to the typical specifications for its type. High points for wear and strike weakness would commonly include the charioteer's head and the central elements of the reverse design. Due to the artisanal striking methods of the era, variations in strike quality, centering, and planchet shape are common. A well-preserved example would exhibit a strong strike, clear details, and minimal flan imperfections, reflecting the high purity of the gold alloy.