Stater Charioteer facing right, lyre

Emisor Arverni
Año 120 BC - 60 BC
Tipo Standard circulation coin
Valor 1 Stater
Moneda
Composición Gold
Peso 7.4 g
Diámetro 17 mm
Grosor
Forma Round (irregular)
Técnica Hammered
Orientación Variable alignment ↺
Grabador(es)
En circulación hasta
Referencia(s) DT#3374-3376, LT#5281 var.
Descripción del anverso Laureate male head to left.
Escritura del anverso
Leyenda del anverso
Descripción del reverso Charioteer, holding kentron in his right hand and reins in his left, driving horse to right; below, lyre.
Escritura del reverso
Leyenda del reverso
Canto
Casa de moneda
Tirada ND (120 BC - 60 BC) - Late 2nd-early 1st century BC -
ID de Numisquare 4756035480
Información adicional

Historical Context: This gold stater originates from the Arverni, a dominant Gallic tribe of central Gaul during the late Iron Age (120-60 BC). This period predates Caesar's conquest, marking the zenith of Arverni power and independence. Their vast wealth, derived from strategic trade routes and mineral resources, underpinned a sophisticated economy. Gold coinage, like this stater, served as a crucial medium for tribal transactions and a symbol of their political autonomy and economic strength before Roman subjugation.

Artistry: While the engraver remains anonymous, this stater exemplifies the distinctive Celtic interpretation of Hellenistic prototypes. The obverse features a highly stylized charioteer, facing right, a dynamic abstraction from Macedonian models. The reverse, often depicting a similarly abstract horse, here incorporates a unique "lyre" motif, possibly a localized symbol or a further artistic evolution. The design showcases the characteristic curvilinear forms and energetic abstraction of Gallic artistry, moving beyond mere imitation to a unique tribal expression.

Technical/Grading: Struck in 7.4 grams of gold with a diameter of 17 mm, this stater adheres to the typical specifications for its type. High points for wear and strike weakness would commonly include the charioteer's head and the central elements of the reverse design. Due to the artisanal striking methods of the era, variations in strike quality, centering, and planchet shape are common. A well-preserved example would exhibit a strong strike, clear details, and minimal flan imperfections, reflecting the high purity of the gold alloy.

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