Katalog
Warum registrieren? Nur um Bots aus unserem Katalog fernzuhalten. Ihre E-Mail bleibt privat — wir geben sie nie weiter und senden Ihnen nichts Unerwünschtes. Das garantieren wir Ihnen!
| Emittent | Early Anglo-Saxon |
|---|---|
| Jahr | 710-760 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Gewicht | 0.97 g |
| Durchmesser | Anmelden um Details zu sehen |
| Dicke | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Prägetechnik | Anmelden um Details zu sehen |
| Ausrichtung | Anmelden um Details zu sehen |
| Stempelschneider | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Aversbeschreibung | Anmelden um Details zu sehen |
|---|---|
| Aversschrift | Anmelden um Details zu sehen |
| Averslegende | CARIP |
| Reversbeschreibung | Facing architectural or throne-like motif, centrally placed within the field, depicting a stepped or panelled structure interpreted as a stylized throne or altar flanked by two upright cross-topped standards or sceptres with pellet terminals. A crescent or similar device appears at the top of the field above the central motif. Small pellets are scattered throughout the field, and the whole design is enclosed within a beaded outer border. The composition is characteristic of the 'Carip' group reverses and ultimately derives from late Roman or Byzantine iconographic conventions. |
| Reversschrift | Anmelden um Details zu sehen |
| Reverslegende | Anmelden um Details zu sehen |
| Rand | Anmelden um Details zu sehen |
| Prägestätte | Anmelden um Details zu sehen |
| Auflage | Anmelden um Details zu sehen |
| Zusätzliche Informationen |
The 'Carip' group takes its name from the retrograde or garbled inscription appearing on specimens within this series — almost certainly a corrupted rendering of a moneyer's name rather than a place or authority. By the early eighth century, sceat production in England had fragmented badly, with dozens of regional types struck by issuers whose identities remain unresolved. Attribution to a specific kingdom is still contested; Metcalf placed these within a broader East Anglian or Mercian orbit, though the evidence is distributional rather than documentary.