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| 正面描述 | Highly schematized and abstracted human head facing left, rendered in the distinctive Celtic La Tène artistic tradition. The facial features are reduced to essential stylized elements: a deeply sunken, comma-shaped eye, a sharply pointed nose, and a pronounced globular protuberance on the forehead. The surface of the flan shows typical casting texture consistent with potin production, with no surrounding legend or border ornament. |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | 登录 以查看详情 |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | Plain |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
The Turoni occupied the territory around the Liger (Loire) valley, and their potin issues — cast rather than struck — place them among the tribes whose coinage production predates significant Roman disruption in central Gaul. The "Class II" designation distinguishes a later degenerative phase of this type, where the imagery has abstracted considerably from earlier prototypes, a progression well-documented across Gaulish potin series as die-cutters worked increasingly from copies of copies rather than original models.
The DT#3509 variant attribution and absence from Latour's corpus suggests a subtype identified after the major reference works were compiled — not unusual for Turoni potin, where the cast nature of production generated considerable variability between individual pieces.