Pfennig 'Vierzipfeliger Pfennig'

Đơn vị phát hành City of Solothurn
Năm 1370
Loại Standard circulation coin
Mệnh giá 1 Pfennig = 1 Angster
Tiền tệ
Chất liệu Silver
Trọng lượng 0.24 g
Đường kính
Độ dày
Hình dạng Square (irregular)
Kỹ thuật
Hướng
Nghệ nhân khắc
Lưu hành đến
Tài liệu tham khảo HMZ 1#450a, Slg. Wüthr#105
Mô tả mặt trước Bust portrait of the city patron St. Ursus with mail from the front.
Chữ viết mặt trước Latin
Chữ khắc mặt trước S O
Mô tả mặt sau Blank.
Chữ viết mặt sau
Chữ khắc mặt sau
Cạnh
Xưởng đúc
Số lượng đúc ND (1370) - -
ID Numisquare 9048717150
Thông tin bổ sung

Historical Context: Issued by the burgeoning City of Solothurn in 1370, this Pfennig belongs to an era of increasing urban autonomy within the Holy Roman Empire. Solothurn, a Free Imperial City, exercised its minting prerogative to facilitate local commerce and assert its economic independence. The mid-14th century was a period marked by regionalization of coinage, with cities like Solothurn minting small silver denominations crucial for daily transactions, reflecting the growing economic power and self-governance of these urban centers. This 'Vierzipfeliger Pfennig' type was a common regional standard.

Artistry: The engraver of this specific Pfennig remains anonymous, typical for medieval coinage of this denomination. Stylistically, the coin adheres to the functional and robust aesthetic of the late Gothic period. Given its designation as a 'Vierzipfeliger Pfennig' (four-lobed pfennig), the design likely features a central motif, such as a cross or the city's emblem, set within a quatrefoil or similar four-lobed frame. The reverse would typically display a simple cross or a stylized initial, executed with a directness necessitated by the diminutive flan size and the practical demands of mass production.

Technical/Grading: Struck in silver and weighing a mere 0.24 grams, this Pfennig is a testament to medieval minting techniques. As a hammered coin, examples often exhibit irregular flan shapes, off-center strikes, and variable striking pressure. High points, such as the tips of the central cross or the outer edges of the quatrefoil, are frequently weakly struck or susceptible to early wear. The overall impression would be one of utilitarian design, with full detail rarely achieved across the entire flan. Its small size and low relief contribute to a general lack of crispness in many surviving specimens.

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