کاتالوگ
| صادرکننده | City of Solothurn |
|---|---|
| سال | 1370 |
| نوع | Standard circulation coin |
| ارزش | 1 Pfennig = 1 Angster |
| واحد پول | |
| ترکیب | Silver |
| وزن | 0.24 g |
| قطر | |
| ضخامت | |
| شکل | Square (irregular) |
| تکنیک | |
| جهت | |
| حکاک(ها) | |
| در گردش تا | |
| مرجع(ها) | HMZ 1#450a, Slg. Wüthr#105 |
| توضیحات روی سکه | Bust portrait of the city patron St. Ursus with mail from the front. |
|---|---|
| خط روی سکه | Latin |
| نوشتههای روی سکه | S O |
| توضیحات پشت سکه | Blank. |
| خط پشت سکه | |
| نوشتههای پشت سکه | |
| لبه | |
| ضرابخانه | |
| تیراژ ضرب |
ND (1370) - - |
| شناسه Numisquare | 9048717150 |
| اطلاعات تکمیلی |
Historical Context: Issued by the burgeoning City of Solothurn in 1370, this Pfennig belongs to an era of increasing urban autonomy within the Holy Roman Empire. Solothurn, a Free Imperial City, exercised its minting prerogative to facilitate local commerce and assert its economic independence. The mid-14th century was a period marked by regionalization of coinage, with cities like Solothurn minting small silver denominations crucial for daily transactions, reflecting the growing economic power and self-governance of these urban centers. This 'Vierzipfeliger Pfennig' type was a common regional standard.
Artistry: The engraver of this specific Pfennig remains anonymous, typical for medieval coinage of this denomination. Stylistically, the coin adheres to the functional and robust aesthetic of the late Gothic period. Given its designation as a 'Vierzipfeliger Pfennig' (four-lobed pfennig), the design likely features a central motif, such as a cross or the city's emblem, set within a quatrefoil or similar four-lobed frame. The reverse would typically display a simple cross or a stylized initial, executed with a directness necessitated by the diminutive flan size and the practical demands of mass production.
Technical/Grading: Struck in silver and weighing a mere 0.24 grams, this Pfennig is a testament to medieval minting techniques. As a hammered coin, examples often exhibit irregular flan shapes, off-center strikes, and variable striking pressure. High points, such as the tips of the central cross or the outer edges of the quatrefoil, are frequently weakly struck or susceptible to early wear. The overall impression would be one of utilitarian design, with full detail rarely achieved across the entire flan. Its small size and low relief contribute to a general lack of crispness in many surviving specimens.