Pfennig 'Vierzipfeliger Pfennig'

Emitent City of Solothurn
Rok 1310
Typ Standard circulation coin
Nominał 1 Pfennig
Waluta
Skład Silver
Waga 0.3 g
Średnica
Grubość
Kształt Square (irregular)
Technika Hammered (bracteate)
Orientacja
Rytownik(zy)
W obiegu do
Źródło(a) HMZ 1#446a, Slg. Wüthr#101
Opis awersu Head of the city patron St. Ursus with diadem to the left, above isosceles cross.
Pismo awersu Latin
Legenda awersu VRSUS
Opis rewersu Blank.
Pismo rewersu
Legenda rewersu
Krawędź
Mennica
Nakład ND (1310) - -
ID Numisquare 4472199340
Dodatkowe informacje

Historical Context: The Pfennig 'Vierzipfeliger Pfennig' issued by the City of Solothurn in 1310 represents a crucial period of burgeoning urban autonomy within the Holy Roman Empire. Solothurn, an Imperial City, was actively asserting its economic and political independence through the right of coinage. The early 14th century saw numerous Swiss and Southern German cities minting their own regional currencies, reflecting a decentralized monetary landscape. This pfennig was the standard small change for daily transactions, underscoring Solothurn's role in regional commerce and its growing civic identity.

Artistry: The design of this 1310 Solothurn Pfennig adheres to the prevalent stylistic conventions of early 14th-century medieval numismatics in the Alpine region. While specific engravers are rarely identifiable for such early civic issues, the mint master oversaw its production. The 'Vierzipfeliger Pfennig' typically features a central cross, often with four distinct points or lobes, on one side, and the city's patron saint, Saint Ursus, or a civic emblem on the other. This simplified iconography was characteristic of utilitarian coinage, prioritizing clear recognition.

Technical/Grading: Struck in silver and weighing a mere 0.3 grams, this pfennig is a diminutive coin. Its small module (mm) often resulted in rapid striking, leading to common technical imperfections such as irregular flans, off-center strikes, and partial legends. Key high-points for evaluation include the full rendition of the central 'Vierzipfeliger' cross and the clarity of any surrounding legend or saintly effigy. Planchet quality, often thin and exhibiting laminations or cracks, is also a significant grading factor for these fragile medieval issues.

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