کاتالوگ
| صادرکننده | City of Solothurn |
|---|---|
| سال | 1310 |
| نوع | Standard circulation coin |
| ارزش | 1 Pfennig |
| واحد پول | |
| ترکیب | Silver |
| وزن | 0.3 g |
| قطر | |
| ضخامت | |
| شکل | Square (irregular) |
| تکنیک | Hammered (bracteate) |
| جهت | |
| حکاک(ها) | |
| در گردش تا | |
| مرجع(ها) | HMZ 1#446a, Slg. Wüthr#101 |
| توضیحات روی سکه | Head of the city patron St. Ursus with diadem to the left, above isosceles cross. |
|---|---|
| خط روی سکه | Latin |
| نوشتههای روی سکه | VRSUS |
| توضیحات پشت سکه | Blank. |
| خط پشت سکه | |
| نوشتههای پشت سکه | |
| لبه | |
| ضرابخانه | |
| تیراژ ضرب |
ND (1310) - - |
| شناسه Numisquare | 4472199340 |
| اطلاعات تکمیلی |
Historical Context: The Pfennig 'Vierzipfeliger Pfennig' issued by the City of Solothurn in 1310 represents a crucial period of burgeoning urban autonomy within the Holy Roman Empire. Solothurn, an Imperial City, was actively asserting its economic and political independence through the right of coinage. The early 14th century saw numerous Swiss and Southern German cities minting their own regional currencies, reflecting a decentralized monetary landscape. This pfennig was the standard small change for daily transactions, underscoring Solothurn's role in regional commerce and its growing civic identity.
Artistry: The design of this 1310 Solothurn Pfennig adheres to the prevalent stylistic conventions of early 14th-century medieval numismatics in the Alpine region. While specific engravers are rarely identifiable for such early civic issues, the mint master oversaw its production. The 'Vierzipfeliger Pfennig' typically features a central cross, often with four distinct points or lobes, on one side, and the city's patron saint, Saint Ursus, or a civic emblem on the other. This simplified iconography was characteristic of utilitarian coinage, prioritizing clear recognition.
Technical/Grading: Struck in silver and weighing a mere 0.3 grams, this pfennig is a diminutive coin. Its small module (mm) often resulted in rapid striking, leading to common technical imperfections such as irregular flans, off-center strikes, and partial legends. Key high-points for evaluation include the full rendition of the central 'Vierzipfeliger' cross and the clarity of any surrounding legend or saintly effigy. Planchet quality, often thin and exhibiting laminations or cracks, is also a significant grading factor for these fragile medieval issues.