Danh mục
| Đơn vị phát hành | Ottoman Empire |
|---|---|
| Năm | 1362-1389 |
| Loại | Standard circulation coin |
| Mệnh giá | 1 Mangir |
| Tiền tệ | Akçe (1327-1687) |
| Chất liệu | Copper |
| Trọng lượng | 1.4 g |
| Đường kính | 13 mm |
| Độ dày | |
| Hình dạng | Round (irregular) |
| Kỹ thuật | Hammered |
| Hướng | |
| Nghệ nhân khắc | |
| Lưu hành đến | |
| Tài liệu tham khảo |
| Mô tả mặt trước | No date and no mint visible |
|---|---|
| Chữ viết mặt trước | |
| Chữ khắc mặt trước | |
| Mô tả mặt sau | Irregular shape and lettering inside |
| Chữ viết mặt sau | |
| Chữ khắc mặt sau | |
| Cạnh | Rough |
| Xưởng đúc | |
| Số lượng đúc |
ND (1362-1389) - - |
| ID Numisquare | 1810182030 |
| Thông tin bổ sung |
Historical Context: Murad I's reign (1362-1389) marked a crucial period for the nascent Ottoman Empire, witnessing significant territorial expansion into the Balkans and consolidation of power in Anatolia. As the third Ottoman Sultan, Murad I laid foundational administrative and military structures, including the Janissaries. The issuance of copper manghirs during this era was vital for facilitating local commerce and asserting state authority, reflecting the burgeoning economic system of a rapidly expanding realm.
Artistry: The manghir's artistry reflects the early Ottoman numismatic tradition, characterized by functional design over elaborate aesthetics. Engravers, typically anonymous mint masters, focused on clear calligraphic presentation, often in Thuluth script. The design for this 13mm copper coin would likely feature Murad I's name and patronymic (Murad bin Orhan) on one side, possibly with a pious invocation, mint name, or simple geometric motif on the reverse. Intricate detail is rare due to the coin's small size and base metal.
Technical/Grading: Given its copper composition and diminutive size (1.4 gg, 13 mm), this manghir often exhibits characteristics of mass-produced, low-denomination coinage. Technical strike qualities frequently include off-center strikes, weak pressure, and planchet irregularities. High-points, typically the raised elements of the calligraphy or any central emblem, are prone to wear and often appear flat or abraded. Original luster is rarely preserved, and surface pitting is common due to environmental exposure.