Catálogo
| Emisor | Ottoman Empire |
|---|---|
| Año | 1362-1389 |
| Tipo | Standard circulation coin |
| Valor | 1 Mangir |
| Moneda | Akçe (1327-1687) |
| Composición | Copper |
| Peso | 1.4 g |
| Diámetro | 13 mm |
| Grosor | |
| Forma | Round (irregular) |
| Técnica | Hammered |
| Orientación | |
| Grabador(es) | |
| En circulación hasta | |
| Referencia(s) |
| Descripción del anverso | No date and no mint visible |
|---|---|
| Escritura del anverso | |
| Leyenda del anverso | |
| Descripción del reverso | Irregular shape and lettering inside |
| Escritura del reverso | |
| Leyenda del reverso | |
| Canto | Rough |
| Casa de moneda | |
| Tirada |
ND (1362-1389) - - |
| ID de Numisquare | 1810182030 |
| Información adicional |
Historical Context: Murad I's reign (1362-1389) marked a crucial period for the nascent Ottoman Empire, witnessing significant territorial expansion into the Balkans and consolidation of power in Anatolia. As the third Ottoman Sultan, Murad I laid foundational administrative and military structures, including the Janissaries. The issuance of copper manghirs during this era was vital for facilitating local commerce and asserting state authority, reflecting the burgeoning economic system of a rapidly expanding realm.
Artistry: The manghir's artistry reflects the early Ottoman numismatic tradition, characterized by functional design over elaborate aesthetics. Engravers, typically anonymous mint masters, focused on clear calligraphic presentation, often in Thuluth script. The design for this 13mm copper coin would likely feature Murad I's name and patronymic (Murad bin Orhan) on one side, possibly with a pious invocation, mint name, or simple geometric motif on the reverse. Intricate detail is rare due to the coin's small size and base metal.
Technical/Grading: Given its copper composition and diminutive size (1.4 gg, 13 mm), this manghir often exhibits characteristics of mass-produced, low-denomination coinage. Technical strike qualities frequently include off-center strikes, weak pressure, and planchet irregularities. High-points, typically the raised elements of the calligraphy or any central emblem, are prone to wear and often appear flat or abraded. Original luster is rarely preserved, and surface pitting is common due to environmental exposure.