Catalog
| Issuer | Judea |
|---|---|
| Year | 132-133 |
| Type | Standard circulation coin |
| Value | |
| Currency | Bar Kokhba Revolt ‒ Shekel (132-135) |
| Composition | Bronze |
| Weight | 21.02 g |
| Diameter | 31 mm |
| Thickness | |
| Shape | Round (irregular) |
| Technique | Hammered |
| Orientation | |
| Engraver(s) | |
| In circulation to | 4 August 0135 |
| Reference(s) | Hendin 5ᵗʰ#1376, Meshorer#220 |
| Obverse description | Wreath |
|---|---|
| Obverse script | Hebrew |
| Obverse lettering |
שמעון נשיא ישראל (Translation: Simon, Prince of Israel) |
| Reverse description | Amphora with two handles |
| Reverse script | Hebrew |
| Reverse lettering |
שנת אחת לגאלת ישראל (Translation: Year one of the redemption of Israel) |
| Edge | |
| Mint | |
| Mintage |
ND (132-133) - - |
| Numisquare ID | 4403492300 |
| Additional information |
Historical Context: This large bronze, struck in Judea during 132-133 CE, represents the first year of the momentous Bar Kokhba Revolt against Roman rule. Led by Simeon bar Kosevah, known as Bar Kokhba, this coin embodies the Jewish aspiration for renewed sovereignty and religious freedom. Its issuance was a bold declaration of independence, directly challenging Hadrian's imperial authority and policies.
Artistry: The design reflects a distinct Jewish nationalistic aesthetic, crafted by anonymous local engravers, often overstruck on Roman imperial bronzes. The obverse typically features a majestic date palm, a potent symbol of Judea, encircled by "Simeon, Year One of the Redemption of Israel." The reverse commonly displays a lyre (kithara), an emblem of Temple service, accompanied by "For the Freedom of Jerusalem." These aniconic motifs powerfully convey the revolt's messianic and religious aims.
Technical/Grading: Weighing 21.02 grams and measuring 31 millimeters, this bronze exhibits typical wartime production characteristics. High-points include the palm fronds and trunk, and the lyre's strings and frame. Due to overstriking, often on worn Roman sestertii, undertype traces are common, affecting clarity. Strikes may be off-center, uneven, or flat in areas, reflecting urgent manufacture. The large, heavy flan contributes to its imposing presence.