Danh mục
| Đơn vị phát hành | Judea |
|---|---|
| Năm | 132-133 |
| Loại | Standard circulation coin |
| Mệnh giá | |
| Tiền tệ | Bar Kokhba Revolt ‒ Shekel (132-135) |
| Chất liệu | Bronze |
| Trọng lượng | 21.02 g |
| Đường kính | 31 mm |
| Độ dày | |
| Hình dạng | Round (irregular) |
| Kỹ thuật | Hammered |
| Hướng | |
| Nghệ nhân khắc | |
| Lưu hành đến | 4 August 0135 |
| Tài liệu tham khảo | Hendin 5ᵗʰ#1376, Meshorer#220 |
| Mô tả mặt trước | Wreath |
|---|---|
| Chữ viết mặt trước | Hebrew |
| Chữ khắc mặt trước |
שמעון נשיא ישראל (Translation: Simon, Prince of Israel) |
| Mô tả mặt sau | Amphora with two handles |
| Chữ viết mặt sau | Hebrew |
| Chữ khắc mặt sau |
שנת אחת לגאלת ישראל (Translation: Year one of the redemption of Israel) |
| Cạnh | |
| Xưởng đúc | |
| Số lượng đúc |
ND (132-133) - - |
| ID Numisquare | 4403492300 |
| Thông tin bổ sung |
Historical Context: This large bronze, struck in Judea during 132-133 CE, represents the first year of the momentous Bar Kokhba Revolt against Roman rule. Led by Simeon bar Kosevah, known as Bar Kokhba, this coin embodies the Jewish aspiration for renewed sovereignty and religious freedom. Its issuance was a bold declaration of independence, directly challenging Hadrian's imperial authority and policies.
Artistry: The design reflects a distinct Jewish nationalistic aesthetic, crafted by anonymous local engravers, often overstruck on Roman imperial bronzes. The obverse typically features a majestic date palm, a potent symbol of Judea, encircled by "Simeon, Year One of the Redemption of Israel." The reverse commonly displays a lyre (kithara), an emblem of Temple service, accompanied by "For the Freedom of Jerusalem." These aniconic motifs powerfully convey the revolt's messianic and religious aims.
Technical/Grading: Weighing 21.02 grams and measuring 31 millimeters, this bronze exhibits typical wartime production characteristics. High-points include the palm fronds and trunk, and the lyre's strings and frame. Due to overstriking, often on worn Roman sestertii, undertype traces are common, affecting clarity. Strikes may be off-center, uneven, or flat in areas, reflecting urgent manufacture. The large, heavy flan contributes to its imposing presence.