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Imperial Denaro - In name of Frederick II
| Emittent | Cremona, City of |
|---|---|
| Jahr | 1254-1300 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Gewicht | Anmelden um Details zu sehen |
| Durchmesser | Anmelden um Details zu sehen |
| Dicke | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Prägetechnik | Anmelden um Details zu sehen |
| Ausrichtung | Coin alignment ↑↓ |
| Stempelschneider | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Aversbeschreibung | Central field depicting a stylized frontal bust of Emperor Frederick II, rendered in the schematic Romanesque manner typical of northern Italian communal coinage, with a crown or imperial headdress surmounting the figure. The bust is enclosed within a beaded or cable inner circle. The surrounding legend reads FREDERICVS Ω P · R I in Latin characters, invoking the emperor's name and imperial title, separated by pellets. The outer border is formed by a ring of alternating wedge-shaped points and pellets characteristic of hammered medieval Italian denari. |
|---|---|
| Aversschrift | Anmelden um Details zu sehen |
| Averslegende | Anmelden um Details zu sehen |
| Reversbeschreibung | Anmelden um Details zu sehen |
| Reversschrift | Anmelden um Details zu sehen |
| Reverslegende | Anmelden um Details zu sehen |
| Rand | Plain |
| Prägestätte | Anmelden um Details zu sehen |
| Auflage | Anmelden um Details zu sehen |
| Zusätzliche Informationen |
Cremona's imperial denari were struck in the name of Frederick II long after his death in 1250 — a political gesture by a city that had been among his most loyal supporters in the wars against the Lombard League. Continuing to invoke his authority was less a legal fiction than a defiant statement against papal-aligned rivals. Frederick had granted Cremona significant privileges, and the city was slow to abandon the iconographic and titular vocabulary that came with them.
The billon content of these late issues tends to be noticeably debased compared to earlier Cremonese strikes.