Katalog
| Emitent | Cremona, City of |
|---|---|
| Rok | 1254-1300 |
| Typ | Standard circulation coin |
| Hodnota | Denaro (1⁄240) |
| Měna | Lira |
| Složení | |
| Hmotnost | 0.94 g |
| Průměr | 18 mm |
| Tloušťka | |
| Tvar | Round (irregular) |
| Technika | Hammered |
| Orientace | Coin alignment ↑↓ |
| Rytci | |
| V oběhu do | |
| Reference | CNI IV#26, MEC XII#469 |
| Popis líce | Lettering in three lines, in form of cross, around a central annulet, within inner cabled circle. |
|---|---|
| Písmo líce | Latin |
| Opis líce |
FREDERICVS (S sideways) Ω P · R I (Translation: Emperor Frederick) |
| Popis rubu | Cross pattée, with star in first and second quarters within cabled circle. |
| Písmo rubu | Latin |
| Opis rubu | ✠ • CREMONA • |
| Hrana | |
| Mincovna | |
| Náklad |
ND (1254-1300) - - |
| ID Numisquare | 1376587830 |
| Další informace |
Historical Context: This Imperial Denaro, issued by Cremona between 1254 and 1300, is a poignant testament to Frederick II Hohenstaufen's enduring legacy, despite his death in 1250. Cremona, a staunch Ghibelline commune, continued striking coinage in the deceased emperor's name, symbolizing unwavering loyalty to the imperial cause during the tumultuous post-Hohenstaufen interregnum. These issues underscore Cremona's political alignment and assertion of civic autonomy under nominal imperial suzerainty, even as imperial power waned in Italy.
Artistry: The design, typical of early medieval communal coinage, prioritizes legibility and symbolic clarity. While specific engravers are unknown, local mint masters executed the dies. The stylistic school reflects a transition from Romanesque simplicity to nascent Gothic forms, characterized by schematic renderings. Common motifs for such issues include a prominent cross and an imperial eagle or monogram, often accompanied by the city's name and the emperor's titulature, such as 'FRIDERICVS' or 'IMPERATOR', asserting imperial authority.
Technical/Grading: Struck on an 18mm flan weighing 0.94 grams, this hammered coin typically exhibits characteristics of its production method. High-points susceptible to wear include the central elements of any cross, the head and wingtips of an eagle, and the raised lettering. Technical strike qualities often vary, showing evidence of off-center strikes, irregular planchet shapes, and uneven pressure from the dies, which can result in areas of flatness or double striking. Preservation of legend and central devices is key for optimal grading.