Katalog
| İhraççı | Dikaia |
|---|---|
| Yıl | 480 BC - 450 BC |
| Tür | Standard circulation coin |
| Değer | Hemidrachm (1/2) |
| Para birimi | Drachm |
| Bileşim | Silver |
| Ağırlık | 1.76 g |
| Çap | 11 mm |
| Kalınlık | |
| Şekil | Round (irregular) |
| Teknik | Hammered, Incuse |
| Yönlendirme | Variable alignment ↺ |
| Gravürcü(ler) | |
| Dolaşımda olduğu yıl | |
| Referans(lar) | Bisanthe#35-45 , Weber#2360 , McClean#3986 , BostonMFA#801 , Hirsch#888 3.2#1452 Greek#3 Copenhagen#553 |
| Ön yüz açıklaması | Head of Herakles right, wearing lion`s skin headdress. |
|---|---|
| Ön yüz yazısı | |
| Ön yüz lejandı | |
| Arka yüz açıklaması | Cock right, worm in its beak, in dotted incuse square. |
| Arka yüz yazısı | |
| Arka yüz lejandı | |
| Kenar | |
| Darphane | |
| Basma adedi |
ND (480 BC - 450 BC) - - |
| Numisquare Kimliği | 8807803860 |
| Ek bilgiler |
Historical Context: This silver hemidrachm, issued by the ancient Thracian city of Dikaia (480-450 BC), places it firmly within the Early Classical period of Greek numismatics. Dikaia, likely a colony of Samos or Erythrae, was strategically located on the Propontis. Its coinage reflects the city's assertion of economic autonomy and participation in regional commerce following the Persian Wars, a time of shifting power. The production of fractional silver denominations like the hemidrachm underscores a practical need for smaller transactional units.
Artistry: While no specific engraver is attributed, this hemidrachm exemplifies the nascent naturalism characteristic of the Early Classical stylistic school. The obverse typically features a finely rendered head of a deity, perhaps Dionysus or Apollo, depicted with quiet dignity, moving away from archaic rigidity. The reverse commonly displays a local symbol such as a goat or a vine, accompanied by the ethnic Dika. Despite the diminutive flan, the artistry aims for clarity and balanced composition, reflecting Greek die-cutting sophistication.
Technical/Grading: Weighing 1.76 grams and measuring 11 millimeters, this small silver issue presents inherent challenges for strike quality. High-points, such as the hair and facial features of the obverse deity or musculature of a reverse animal, are often the first to show wear or incomplete striking. Collectors should evaluate for a well-centered strike and full impression of the primary devices, especially given the frequent irregularities of early classical flans. A strong strike will reveal sharp details despite the coin's modest dimensions.