Katalog
| Emittent | Dikaia |
|---|---|
| Jahr | 480 BC - 450 BC |
| Typ | Standard circulation coin |
| Nennwert | Hemidrachm (1/2) |
| Währung | Drachm |
| Material | Silver |
| Gewicht | 1.76 g |
| Durchmesser | 11 mm |
| Dicke | |
| Form | Round (irregular) |
| Prägetechnik | Hammered, Incuse |
| Ausrichtung | Variable alignment ↺ |
| Stempelschneider | |
| Im Umlauf bis | |
| Referenz(en) | Bisanthe#35-45 , Weber#2360 , McClean#3986 , BostonMFA#801 , Hirsch#888 3.2#1452 Greek#3 Copenhagen#553 |
| Aversbeschreibung | Head of Herakles right, wearing lion`s skin headdress. |
|---|---|
| Aversschrift | |
| Averslegende | |
| Reversbeschreibung | Cock right, worm in its beak, in dotted incuse square. |
| Reversschrift | |
| Reverslegende | |
| Rand | |
| Prägestätte | |
| Auflage |
ND (480 BC - 450 BC) - - |
| Numisquare-ID | 8807803860 |
| Zusätzliche Informationen |
Historical Context: This silver hemidrachm, issued by the ancient Thracian city of Dikaia (480-450 BC), places it firmly within the Early Classical period of Greek numismatics. Dikaia, likely a colony of Samos or Erythrae, was strategically located on the Propontis. Its coinage reflects the city's assertion of economic autonomy and participation in regional commerce following the Persian Wars, a time of shifting power. The production of fractional silver denominations like the hemidrachm underscores a practical need for smaller transactional units.
Artistry: While no specific engraver is attributed, this hemidrachm exemplifies the nascent naturalism characteristic of the Early Classical stylistic school. The obverse typically features a finely rendered head of a deity, perhaps Dionysus or Apollo, depicted with quiet dignity, moving away from archaic rigidity. The reverse commonly displays a local symbol such as a goat or a vine, accompanied by the ethnic Dika. Despite the diminutive flan, the artistry aims for clarity and balanced composition, reflecting Greek die-cutting sophistication.
Technical/Grading: Weighing 1.76 grams and measuring 11 millimeters, this small silver issue presents inherent challenges for strike quality. High-points, such as the hair and facial features of the obverse deity or musculature of a reverse animal, are often the first to show wear or incomplete striking. Collectors should evaluate for a well-centered strike and full impression of the primary devices, especially given the frequent irregularities of early classical flans. A strong strike will reveal sharp details despite the coin's modest dimensions.