Каталог
| Эмитент | Dikaia |
|---|---|
| Год | 480 BC - 450 BC |
| Тип | Standard circulation coin |
| Номинал | Hemidrachm (1/2) |
| Валюта | Drachm |
| Состав | Silver |
| Вес | 1.76 g |
| Диаметр | 11 mm |
| Толщина | |
| Форма | Round (irregular) |
| Техника | Hammered, Incuse |
| Ориентация | Variable alignment ↺ |
| Гравёр(ы) | |
| В обращении до | |
| Каталожные номера | Bisanthe#35-45 , Weber#2360 , McClean#3986 , BostonMFA#801 , Hirsch#888 3.2#1452 Greek#3 Copenhagen#553 |
| Описание аверса | Head of Herakles right, wearing lion`s skin headdress. |
|---|---|
| Письменность аверса | |
| Надписи аверса | |
| Описание реверса | Cock right, worm in its beak, in dotted incuse square. |
| Письменность реверса | |
| Надписи реверса | |
| Гурт | |
| Монетный двор | |
| Тираж |
ND (480 BC - 450 BC) - - |
| ID Numisquare | 8807803860 |
| Дополнительная информация |
Historical Context: This silver hemidrachm, issued by the ancient Thracian city of Dikaia (480-450 BC), places it firmly within the Early Classical period of Greek numismatics. Dikaia, likely a colony of Samos or Erythrae, was strategically located on the Propontis. Its coinage reflects the city's assertion of economic autonomy and participation in regional commerce following the Persian Wars, a time of shifting power. The production of fractional silver denominations like the hemidrachm underscores a practical need for smaller transactional units.
Artistry: While no specific engraver is attributed, this hemidrachm exemplifies the nascent naturalism characteristic of the Early Classical stylistic school. The obverse typically features a finely rendered head of a deity, perhaps Dionysus or Apollo, depicted with quiet dignity, moving away from archaic rigidity. The reverse commonly displays a local symbol such as a goat or a vine, accompanied by the ethnic Dika. Despite the diminutive flan, the artistry aims for clarity and balanced composition, reflecting Greek die-cutting sophistication.
Technical/Grading: Weighing 1.76 grams and measuring 11 millimeters, this small silver issue presents inherent challenges for strike quality. High-points, such as the hair and facial features of the obverse deity or musculature of a reverse animal, are often the first to show wear or incomplete striking. Collectors should evaluate for a well-centered strike and full impression of the primary devices, especially given the frequent irregularities of early classical flans. A strong strike will reveal sharp details despite the coin's modest dimensions.