| 发行方 | Milan (Italian States) |
|---|---|
| 年份 | 1200-1230 |
| 类型 | Standard circulation coin |
| 面值 | 1 Grosso of 6 Imperiali (1⁄20) |
| 货币 | Lira (1155-1515) |
| 材质 | Silver |
| 重量 | 2.1 g |
| 直径 | 21 mm |
| 厚度 | |
| 形状 | Round (irregular) |
| 制作工艺 | Hammered |
| 方向 | Coin alignment ↑↓ |
| 雕刻师 | |
| 流通至 | |
| 参考资料 | MIR MI#56 , Crippa I#11A , MEC XII#554 |
| 正面描述 | Three line inscription read crosswise (top-to-bottom then left-to-right), in reeded inner circle. |
|---|---|
| 正面文字 | Latin, Latin (uncial) |
| 正面铭文 |
INPERATOR hE rIC N (Translation: Emperor Henry) |
| 背面描述 | Cross pattée with inward pointing spike in quarters 3 and 4, in reeded inner circle. |
| 背面文字 | Latin |
| 背面铭文 |
MEDIOLANVM (Translation: Milan) |
| 边缘 | |
| 铸币厂 | |
| 铸造量 |
ND (1200-1230) - - |
| Numisquare 编号 | 1091944370 |
| 附加信息 |
Historical Context: This Grosso of 6 Imperiali, minted by the Milanese Commune (1200-1230), reflects a pivotal era. Posthumously referencing Henry VI (d. 1197), it acknowledges nominal Imperial authority, common for powerful Lombard communes asserting independence. Milan, a leading mercantile center, issued this significant silver denomination as city-states grew. The coin embodies Milan's evolving autonomy, balancing civic assertion with a symbolic nod to the Holy Roman Empire.
Artistry: The engraver for this Milanese issue remains anonymous, typical for early 13th-century communal coinage. Stylistically, it transitions from late Romanesque to early Gothic art, characteristic of Lombardy. The design features a robust, often stylized imperial bust (obverse) and a prominent cross (reverse), prioritizing clear iconography over naturalistic detail. Execution reflects local minting traditions, maintaining the visual language of Imperial types. The aesthetic is direct, forceful, and functional.
Technical/Grading: Key grading points for this Grosso type center on strike quality and legend clarity. Definition of Henry VI's bust—crown, facial features, drapery—is often weakly struck. Legibility of surrounding legends, like "HENRICVS IMPERATOR" and Milanese civic inscriptions, is paramount. On the reverse, completeness and sharpness of the central cross and any symbols are crucial. Well-centered examples with full, legible legends and minimal flatness in central devices are highly prized.