| Emitent | Milan (Italian States) |
|---|---|
| Rok | 1200-1230 |
| Typ | Standard circulation coin |
| Hodnota | 1 Grosso of 6 Imperiali (1⁄20) |
| Měna | Lira (1155-1515) |
| Složení | Silver |
| Hmotnost | 2.1 g |
| Průměr | 21 mm |
| Tloušťka | |
| Tvar | Round (irregular) |
| Technika | Hammered |
| Orientace | Coin alignment ↑↓ |
| Rytci | |
| V oběhu do | |
| Reference | MIR MI#56 , Crippa I#11A , MEC XII#554 |
| Popis líce | Three line inscription read crosswise (top-to-bottom then left-to-right), in reeded inner circle. |
|---|---|
| Písmo líce | Latin, Latin (uncial) |
| Opis líce |
INPERATOR hE rIC N (Translation: Emperor Henry) |
| Popis rubu | Cross pattée with inward pointing spike in quarters 3 and 4, in reeded inner circle. |
| Písmo rubu | Latin |
| Opis rubu |
MEDIOLANVM (Translation: Milan) |
| Hrana | |
| Mincovna | |
| Náklad |
ND (1200-1230) - - |
| ID Numisquare | 1091944370 |
| Další informace |
Historical Context: This Grosso of 6 Imperiali, minted by the Milanese Commune (1200-1230), reflects a pivotal era. Posthumously referencing Henry VI (d. 1197), it acknowledges nominal Imperial authority, common for powerful Lombard communes asserting independence. Milan, a leading mercantile center, issued this significant silver denomination as city-states grew. The coin embodies Milan's evolving autonomy, balancing civic assertion with a symbolic nod to the Holy Roman Empire.
Artistry: The engraver for this Milanese issue remains anonymous, typical for early 13th-century communal coinage. Stylistically, it transitions from late Romanesque to early Gothic art, characteristic of Lombardy. The design features a robust, often stylized imperial bust (obverse) and a prominent cross (reverse), prioritizing clear iconography over naturalistic detail. Execution reflects local minting traditions, maintaining the visual language of Imperial types. The aesthetic is direct, forceful, and functional.
Technical/Grading: Key grading points for this Grosso type center on strike quality and legend clarity. Definition of Henry VI's bust—crown, facial features, drapery—is often weakly struck. Legibility of surrounding legends, like "HENRICVS IMPERATOR" and Milanese civic inscriptions, is paramount. On the reverse, completeness and sharpness of the central cross and any symbols are crucial. Well-centered examples with full, legible legends and minimal flatness in central devices are highly prized.