Grosso of 6 Imperiali - Commune in name of Henry VI

発行体 Milan (Italian States)
年号 1200-1230
種類 Standard circulation coin
額面 1 Grosso of 6 Imperiali (1⁄20)
通貨 Lira (1155-1515)
材質 Silver
重量 2.1 g
直径 21 mm
厚さ
形状 Round (irregular)
製造技法 Hammered
向き Coin alignment ↑↓
彫刻師
流通終了年
参考文献 MIR MI#56 , Crippa I#11A , MEC XII#554
表面の説明 Three line inscription read crosswise (top-to-bottom then left-to-right), in reeded inner circle.
表面の文字体系 Latin, Latin (uncial)
表面の銘文 INPERATOR hE rIC N
(Translation: Emperor Henry)
裏面の説明 Cross pattée with inward pointing spike in quarters 3 and 4, in reeded inner circle.
裏面の文字体系 Latin
裏面の銘文 MEDIOLANVM
(Translation: Milan)
鋳造所
鋳造数 ND (1200-1230) - -
Numisquare ID 1091944370
追加情報

Historical Context: This Grosso of 6 Imperiali, minted by the Milanese Commune (1200-1230), reflects a pivotal era. Posthumously referencing Henry VI (d. 1197), it acknowledges nominal Imperial authority, common for powerful Lombard communes asserting independence. Milan, a leading mercantile center, issued this significant silver denomination as city-states grew. The coin embodies Milan's evolving autonomy, balancing civic assertion with a symbolic nod to the Holy Roman Empire.

Artistry: The engraver for this Milanese issue remains anonymous, typical for early 13th-century communal coinage. Stylistically, it transitions from late Romanesque to early Gothic art, characteristic of Lombardy. The design features a robust, often stylized imperial bust (obverse) and a prominent cross (reverse), prioritizing clear iconography over naturalistic detail. Execution reflects local minting traditions, maintaining the visual language of Imperial types. The aesthetic is direct, forceful, and functional.

Technical/Grading: Key grading points for this Grosso type center on strike quality and legend clarity. Definition of Henry VI's bust—crown, facial features, drapery—is often weakly struck. Legibility of surrounding legends, like "HENRICVS IMPERATOR" and Milanese civic inscriptions, is paramount. On the reverse, completeness and sharpness of the central cross and any symbols are crucial. Well-centered examples with full, legible legends and minimal flatness in central devices are highly prized.

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