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| 表面の説明 | Central field bears a rampant lion passant sinister within a beaded inner circle. Surrounding this is a decorative border composed of eleven stylized leaves and one lion, each element enclosed within an individual arc, forming a characteristic Gothic architectural frame. The outer legend, rendered in uncial Gothic characters, runs along the periphery between the arc border and the coin's irregular edge. The overall style is consistent with Low Countries feudal coinage of the mid-fourteenth century, with bold, deeply struck relief typical of hammered silver groats of the period. |
|---|---|
| 表面の文字体系 | ログイン して詳細を見る |
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | ログイン して詳細を見る |
| 裏面の文字体系 | Latin (uncial) |
| 裏面の銘文 | ログイン して詳細を見る |
| 縁 | ログイン して詳細を見る |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
Arnold of Oreye held Rummen as a small lordship in the ecclesiastical and political buffer zone between the Prince-Bishopric of Liège and the Duchy of Brabant — territory where minor lords routinely exercised minting rights as both a revenue mechanism and a declaration of local autonomy. His groats follow the Flemish-influenced FRAND type, a design format that spread rapidly through the Low Countries after Edward III's English monetary reforms of the 1340s reshaped regional coinage expectations.
The attribution across VanH, vdCh, and Lucas references reflects genuine scholarly disagreement over die groupings within this short series.