Katalog
| Emitent | Rasht, City of |
|---|---|
| Rok | |
| Typ | Standard circulation coin |
| Hodnota | 1 Falus (0.2) |
| Měna | Shahi (1501-1798) |
| Složení | Copper |
| Hmotnost | 16.64 g |
| Průměr | 27 mm |
| Tloušťka | |
| Tvar | Round (irregular) |
| Technika | Hammered |
| Orientace | Coin alignment ↑↓ |
| Rytci | |
| V oběhu do | |
| Reference | Album Islamic#3257 |
| Popis líce | Lion along with a gazelle left |
|---|---|
| Písmo líce | Arabic |
| Opis líce |
فلوس ضرب رشت (Translation: Mint of Rasht) |
| Popis rubu | |
| Písmo rubu | |
| Opis rubu | |
| Hrana | Plained |
| Mincovna | |
| Náklad |
? - - |
| ID Numisquare | 5527561360 |
| Další informace |
Historical Context: This Falus, issued anonymously by the city of Rasht, reflects a common practice in Persia where local copper coinage filled daily economic needs, particularly during periods of decentralized authority. While the exact year is unrecorded, such anonymous issues often coincide with eras of fluctuating central control, such as the interregnum following the collapse of the Safavid Empire, the Afsharid period, or the early Zand and Qajar periods. Rasht, a significant city in Gilan, would have exercised considerable local autonomy in minting these essential low-denomination coins for local commerce.
Artistry: Lacking a named engraver, the artistry of this Falus would typically adhere to the established Persian Islamic numismatic tradition. The design likely features a central calligraphic inscription, possibly denoting the mint name 'Rasht' and a pious phrase, framed by a simple border. Given the anonymous nature, the absence of a ruler's name or specific dynastic emblem is expected. The style would be functional yet aesthetically pleasing, prioritizing legibility of essential information over elaborate ornamentation.
Technical/Grading: Struck on a substantial copper flan (16.64 grams, 27 millimeters), this Falus exhibits characteristics typical of locally produced copper coinage. High points for evaluation include the clarity of the central calligraphy and any surrounding decorative elements. Strike quality for such issues can vary significantly, often displaying minor off-centring, areas of weakness, or flan irregularities due to less precise striking methods. A well-centered strike with full details on both sides would be considered exceptional.