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Fals - Anonymous

Uitgever Umayyad Caliphate
Jaar 696-750
Type Standard circulation coin
Waarde Log in om details te zien
Valuta Log in om details te zien
Samenstelling Log in om details te zien
Gewicht Log in om details te zien
Diameter Log in om details te zien
Dikte Log in om details te zien
Vorm Log in om details te zien
Techniek Log in om details te zien
Oriëntatie Log in om details te zien
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
Referentie(s) Log in om details te zien
Beschrijving voorzijde Central field occupied by a multi-line Arabic religious legend arranged in horizontal bands, consistent with the fully epigraphic aniconic reform coinage introduced under Caliph Abd al-Malik ibn Marwan. The inscription, executed in early Kufic script, is enclosed within a circular border of pellets or a single linear inner ring. The flan is irregular and somewhat oval in outline, typical of hand-struck copper production. The surfaces show characteristic granular patination and wear consistent with extensive circulation.
Schrift voorzijde Log in om details te zien
Opschrift voorzijde لا إله إلا الله وحده لا شريك له
Beschrijving keerzijde Log in om details te zien
Schrift keerzijde Log in om details te zien
Opschrift keerzijde Log in om details te zien
Rand Log in om details te zien
Muntplaats Log in om details te zien
Oplage Log in om details te zien
Aanvullende informatie

The anonymous copper fals occupied an awkward position in the Umayyad monetary system — silver dirhams and gold dinars handled serious commerce, while the fals was left to local markets, toll payments, and the kind of petty transactions that never made it into administrative records. Abd al-Malik's sweeping monetary reform of 696–697 AH standardized the epigraphic coinage in gold and silver, but copper was effectively left to provincial mints operating with considerable autonomy. This produced enormous variety in flan quality, module, and die execution across Syria, Iraq, Egypt, and the eastern provinces.

Attribution without a mint name is genuinely difficult. Many anonymous pieces are assigned by fabric and epigraphy alone.

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