Drachm - Ariarathes I Gaziura

発行体 Kings of Cappadokia
年号 333 BC - 322 BC
種類 Standard circulation coin
額面 Drachm (1)
通貨 Drachm
材質 Silver
重量 5.33 g
直径 18 mm
厚さ
形状 Round (irregular)
製造技法 Hammered
向き Variable alignment ↺
彫刻師
流通終了年
参考文献 Simonetta#2
表面の説明 Baal of Gaziura seated left, torso facing, holding grape bunch, grain ear, and eagle in extended right hand, lotus-tipped scepter in left; monogram to left, B’L GZYR (“Baal [of] Gaziura” in Aramaic) to right.
表面の文字体系 Aramaic
表面の銘文
(Translation: Baal-Gazur)
裏面の説明 Griffin left attacking stag kneeling left; wreath above.
裏面の文字体系
裏面の銘文
鋳造所
鋳造数 ND (333 BC - 322 BC) - -
Numisquare ID 1865451530
追加情報

Historical Context: This silver drachm was issued during the reign of Ariarathes I, who governed Cappadocia from 333 BC to 322 BC. As a former satrap under Achaemenid rule, Ariarathes shrewdly leveraged the power vacuum created by Alexander the Great's conquests to declare himself an independent king. His reign, centered around cities like Gaziura, was pivotal in establishing the nascent Kingdom of Cappadocia, a crucial buffer state in the tumultuous period following the collapse of the Persian Empire and the subsequent Hellenistic power struggles. This coinage represents an early assertion of Cappadocian sovereignty.

Artistry: While the specific engraver of this drachm remains anonymous, it exemplifies the stylistic transition occurring in early Hellenistic numismatics. The design likely blends residual Achaemenid influences with emerging Greek artistic conventions, typical for Anatolian mints of the period. Common iconography for Ariarathes I includes a depiction of Zeus on the obverse, often rendered with classical Greek features and symbolizing divine authority. The reverse would typically feature a standing or seated deity, perhaps Athena, or a local cult image, reflecting the syncretic cultural landscape of Cappadocia.

Technical/Grading: Struck in silver with a weight of 5.33 grams and a diameter of 18 millimeters, this drachm exhibits standard dimensions for its type. Key high-points for grading would include the highest relief areas of the obverse portrait, such as the hair, beard, or diadem, and the drapery or facial features of any reverse figure. The technical strike quality often varies; while generally well-struck, minor off-centering, typical die wear, or occasional flan irregularities are common for issues from this period and mint. The overall fabric should reflect a competent, albeit sometimes rustic, minting process.

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