Catalogue
| Émetteur | Sagalassos (Pisidia) |
|---|---|
| Année | 30 BC |
| Type | Standard circulation coin |
| Valeur | Didrachm (2) |
| Devise | Attic drachm |
| Composition | Silver |
| Poids | 8.18 g |
| Diamètre | 20 mm |
| Épaisseur | |
| Forme | Round (irregular) |
| Technique | Hammered |
| Orientation | Variable alignment ↺ |
| Graveur(s) | |
| En circulation jusqu’à | |
| Référence(s) | France#1727-1728 Aulock#5153 , Waddington#3810 |
| Description de l’avers | Laureate head of Zeus right. |
|---|---|
| Écriture de l’avers | |
| Légende de l’avers | |
| Description du revers | Victory standing left, holding wreath. |
| Écriture du revers | Greek |
| Légende du revers | ΣΑΓΑΛΑΣ ΣΕΩΝ |
| Tranche | |
| Atelier | |
| Tirage |
ND (-30) - - |
| ID Numisquare | 5854444780 |
| Informations supplémentaires |
Historical Context: This silver Didrachm, issued by Sagalassos in Pisidia in 30 BC, dates to a pivotal era. 30 BC marked the definitive end of the Roman Republic and Octavian's rise to imperial power. Sagalassos, a significant Pisidian city, maintained economic vitality and local autonomy, evidenced by its continued issuance of silver coinage (8.18 gg) on a Greek weight standard. This emission underscores the city's enduring civic identity during the transition to an imperial Roman world order.
Artistry: The artistic style of this Didrachm is firmly Late Hellenistic, blending classical idealism with nascent realism, typical of provincial Greek mints. While no specific engraver is recorded, craftsmanship reflects local interpretations of broader Hellenistic numismatic trends. Sagalassos coins often feature a prominent deity on the obverse, such as Zeus or Tyche, rendered with dignified portraiture. The reverse typically displays a civic emblem or mythological figure, embodying the city's cultural and religious values.
Technical/Grading: Struck on a substantial 20 mm silver flan weighing 8.18 grams, this Didrachm typically exhibits robust fabric. Key high-points susceptible to wear include the obverse portrait's highest contours (hair, brow) and prominent reverse features (drapery folds, musculature). A well-struck example displays sharp details across devices and a relatively centered strike. Minor flan imperfections or slight off-centering are common due to manual striking, yet a strong strike is crucial for aesthetic appeal.