Didrachm

Emisor Sagalassos (Pisidia)
Año 30 BC
Tipo Standard circulation coin
Valor Didrachm (2)
Moneda Attic drachm
Composición Silver
Peso 8.18 g
Diámetro 20 mm
Grosor
Forma Round (irregular)
Técnica Hammered
Orientación Variable alignment ↺
Grabador(es)
En circulación hasta
Referencia(s) France#1727-1728 Aulock#5153 , Waddington#3810
Descripción del anverso Laureate head of Zeus right.
Escritura del anverso
Leyenda del anverso
Descripción del reverso Victory standing left, holding wreath.
Escritura del reverso Greek
Leyenda del reverso ΣΑΓΑΛΑΣ ΣΕΩΝ
Canto
Casa de moneda
Tirada ND (-30) - -
ID de Numisquare 5854444780
Información adicional

Historical Context: This silver Didrachm, issued by Sagalassos in Pisidia in 30 BC, dates to a pivotal era. 30 BC marked the definitive end of the Roman Republic and Octavian's rise to imperial power. Sagalassos, a significant Pisidian city, maintained economic vitality and local autonomy, evidenced by its continued issuance of silver coinage (8.18 gg) on a Greek weight standard. This emission underscores the city's enduring civic identity during the transition to an imperial Roman world order.

Artistry: The artistic style of this Didrachm is firmly Late Hellenistic, blending classical idealism with nascent realism, typical of provincial Greek mints. While no specific engraver is recorded, craftsmanship reflects local interpretations of broader Hellenistic numismatic trends. Sagalassos coins often feature a prominent deity on the obverse, such as Zeus or Tyche, rendered with dignified portraiture. The reverse typically displays a civic emblem or mythological figure, embodying the city's cultural and religious values.

Technical/Grading: Struck on a substantial 20 mm silver flan weighing 8.18 grams, this Didrachm typically exhibits robust fabric. Key high-points susceptible to wear include the obverse portrait's highest contours (hair, brow) and prominent reverse features (drapery folds, musculature). A well-struck example displays sharp details across devices and a relatively centered strike. Minor flan imperfections or slight off-centering are common due to manual striking, yet a strong strike is crucial for aesthetic appeal.

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