Katalog
| Emitent | Metropolis (Ionia) |
|---|---|
| Rok | 100 BC - 50 BC |
| Typ | Standard circulation coin |
| Nominał | Tetartemorion (1⁄24) |
| Waluta | Drachm |
| Skład | Bronze |
| Waga | 4.44 g |
| Średnica | 16 mm |
| Grubość | |
| Kształt | Round (irregular) |
| Technika | Hammered |
| Orientacja | |
| Rytownik(zy) | |
| W obiegu do | |
| Źródło(a) | GCV#4497, SNG Copenhagen#904-905 |
| Opis awersu | Head of Ares right, wearing crested helmet with cheek guard |
|---|---|
| Pismo awersu | |
| Legenda awersu | |
| Opis rewersu | Winged thunderbolt, monogram above |
| Pismo rewersu | Greek |
| Legenda rewersu | ΔΙΟΓΕΝΗΣ |
| Krawędź | |
| Mennica | |
| Nakład |
ND (100 BC - 50 BC) - - |
| ID Numisquare | 7722324450 |
| Dodatkowe informacje |
Historical Context: The Dichalkon of Metropolis, dated 100-50 BC, falls within the late Hellenistic period, a time of increasing Roman influence in Asia Minor. Metropolis, an Ionian city, asserted its cultural identity with this bronze issue. The obverse features Diogenes of Sinope, the renowned Cynic philosopher. Though not directly linked to Metropolis, Diogenes symbolized intellectualism and self-sufficiency, reflecting a broader Hellenistic appreciation for philosophy amidst geopolitical shifts.
Artistry: The anonymous engraver worked within the Hellenistic stylistic tradition, adapting it for the small 16mm bronze flan. The obverse presents a recognizable bust of Diogenes, typically with his characteristic bearded features, conveying wisdom. Details were simplified due to medium and size, yet the artistic aim captured the philosopher's essence. The reverse, though unspecified, would typically display a local deity, civic emblem, or agricultural symbol, common for Ionian bronzes of this period.
Technical/Grading: This Dichalkon, 4.44 grams and 16mm, is a typical bronze denomination. High-points for wear on the obverse portrait include Diogenes' hair, forehead, nose, and beard. Reverse high-points depend on its specific design. Technical strike quality often varies for these small bronzes; flans can be irregular, and strikes may be off-center or weak, especially at the peripheries. Fully struck examples, with complete detail and well-centered design, are less common and more desirable.