Dichalkon - Diogenes

Emisor Metropolis (Ionia)
Año 100 BC - 50 BC
Tipo Standard circulation coin
Valor Tetartemorion (1⁄24)
Moneda Drachm
Composición Bronze
Peso 4.44 g
Diámetro 16 mm
Grosor
Forma Round (irregular)
Técnica Hammered
Orientación
Grabador(es)
En circulación hasta
Referencia(s) GCV#4497, SNG Copenhagen#904-905
Descripción del anverso Head of Ares right, wearing crested helmet with cheek guard
Escritura del anverso
Leyenda del anverso
Descripción del reverso Winged thunderbolt, monogram above
Escritura del reverso Greek
Leyenda del reverso ΔΙΟΓΕΝΗΣ
Canto
Casa de moneda
Tirada ND (100 BC - 50 BC) - -
ID de Numisquare 7722324450
Información adicional

Historical Context: The Dichalkon of Metropolis, dated 100-50 BC, falls within the late Hellenistic period, a time of increasing Roman influence in Asia Minor. Metropolis, an Ionian city, asserted its cultural identity with this bronze issue. The obverse features Diogenes of Sinope, the renowned Cynic philosopher. Though not directly linked to Metropolis, Diogenes symbolized intellectualism and self-sufficiency, reflecting a broader Hellenistic appreciation for philosophy amidst geopolitical shifts.

Artistry: The anonymous engraver worked within the Hellenistic stylistic tradition, adapting it for the small 16mm bronze flan. The obverse presents a recognizable bust of Diogenes, typically with his characteristic bearded features, conveying wisdom. Details were simplified due to medium and size, yet the artistic aim captured the philosopher's essence. The reverse, though unspecified, would typically display a local deity, civic emblem, or agricultural symbol, common for Ionian bronzes of this period.

Technical/Grading: This Dichalkon, 4.44 grams and 16mm, is a typical bronze denomination. High-points for wear on the obverse portrait include Diogenes' hair, forehead, nose, and beard. Reverse high-points depend on its specific design. Technical strike quality often varies for these small bronzes; flans can be irregular, and strikes may be off-center or weak, especially at the peripheries. Fully struck examples, with complete detail and well-centered design, are less common and more desirable.

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