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Denier moneyer Otger
| Uitgever | County of Leuven (Brussels) |
|---|---|
| Jaar | 1040-1054 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Hammered |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Irregular hammered flan bearing a bold Latin legend divided across the field in multiple lines, reading BRVOC SELLA S G P E, a formulaic invocation referencing Brussels and Saint Gudula, patron of the church. The design is characteristic of the Ottonian-Carolingian denier tradition, with the inscription arranged in a non-portrait, epigraphic style typical of Low Countries issues of the mid-eleventh century. The letters are rendered in a rough, angular hand consistent with contemporary die-cutting practices. No figural or architectural motif is discernible; the legend itself constitutes the primary decorative element. The flan edges are irregular, as expected of hand-struck medieval silver. |
|---|---|
| Schrift voorzijde | Log in om details te zien |
| Opschrift voorzijde | BRVOC SELLA S G P E (Translation: Brussels Saint Gudula, patron of the church) |
| Beschrijving keerzijde | Hammered reverse displaying a plain cross extending to the inner border, dividing the field into four quadrants each containing a triskelion or spiral ornament, with a small crescent or pellet also visible in the field. A beaded or rope-pattern inner circle encloses the cross design. The outer legend, introduced by a cross pattée, reads IOTGERVS MPT, identifying the moneyer Otger responsible for this issue. The rendering of the cross and its associated ornamental fillers is consistent with Low Countries coinage practice of the mid-eleventh century, reflecting both Carolingian and Ottonian die-cutting traditions. |
| Schrift keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Log in om details te zien |
| Muntplaats | Log in om details te zien |
| Oplage | Log in om details te zien |
| Aanvullende informatie | Log in om details te zien |