目录
| 发行方 | Holy Roman Empire |
|---|---|
| 年份 | 1002-1024 |
| 类型 | Standard circulation coin |
| 面值 | 1 Denier (Pfennig) |
| 货币 | Denier (843-1385) |
| 材质 | Silver |
| 重量 | 1.16 g |
| 直径 | 20 mm |
| 厚度 | 0.75 mm |
| 形状 | Irregular |
| 制作工艺 | Hammered |
| 方向 | Variable alignment ↺ |
| 雕刻师 | |
| 流通至 | |
| 参考资料 | Steinh#27 |
| 正面描述 | Crowned, bearded bust from the right. Inscription placed vertically on both sides. pearl circle. |
|---|---|
| 正面文字 | |
| 正面铭文 | HEINRIC REX |
| 背面描述 | Cross, in whose angles rings / three points / triangle / three points |
| 背面文字 | |
| 背面铭文 | AVGSTA CIV |
| 边缘 | |
| 铸币厂 | |
| 铸造量 |
ND (1002-1024) - - |
| Numisquare 编号 | 4436122380 |
| 附加信息 |
Historical Context: This Denier was issued during the reign of Henry II (1002-1024), the last Ottonian Emperor, later canonized. His era marked a critical period for the Holy Roman Empire, consolidating imperial power through close Church alliances and monastic reforms. These coins served as economic instruments and powerful symbols of imperial authority and divine right across his vast territories, reflecting early 11th-century Central Europe's political and religious landscape.
Artistry: The design of this Denier, typical of early medieval German coinage, reflects Ottonian stylistic conventions. While engravers remain anonymous, the aesthetic falls within a robust, symbolic school. The obverse often features a stylized imperial bust, crude but powerfully emblematic, or a central cross. The reverse commonly displays a cross, architectural motif, or inscription, executed with directness characteristic of the era, prioritizing legibility and symbolic message.
Technical/Grading: Struck on a thin, broad silver flan (1.16 grams, 20 mm), this Denier (Steinh#27) exhibits characteristics common to early medieval minting. High-points for wear or weak strike are typically the emperor's nose and crown on a bust type, or central knot and arm terminals on a cross design. Technical strike qualities often include irregular flans, minor off-centering, and varying pressure, leading to areas of flatness. Well-preserved examples show clear legends and discernible primary motifs.