Denier - Frédéric

Đơn vị phát hành Bishopric of Geneva
Năm 1031-1073
Loại Standard circulation coin
Mệnh giá 1 Denier
Tiền tệ Denier (1019-1135)
Chất liệu Silver
Trọng lượng 1.12 g
Đường kính
Độ dày
Hình dạng Round (irregular)
Kỹ thuật Hammered
Hướng
Nghệ nhân khắc
Lưu hành đến
Tài liệu tham khảo HMZ 1#1-289a
Mô tả mặt trước Small cross pattée.
Chữ viết mặt trước
Chữ khắc mặt trước + GENEVA CIVITAS
Mô tả mặt sau Stylised temple.
Chữ viết mặt sau
Chữ khắc mặt sau +FREDERICS EPS
Cạnh
Xưởng đúc
Số lượng đúc ND (1031-1073) - -
ID Numisquare 4495188840
Thông tin bổ sung

Historical Context: This Denier, issued by the Bishopric of Geneva, dates from the episcopate of Bishop Frédéric (1031-1073). During this mid-11th century period, bishops within the Holy Roman Empire frequently exercised significant secular power, including the crucial regalian right of coinage. Frédéric’s issuance of currency underscored the Bishopric's burgeoning autonomy and economic authority within the Kingdom of Arelat, asserting its sovereign status and control over regional commerce at a time of decentralised power.

Artistry: The engraver of this Denier remains anonymous, typical for the early medieval era. The coin exemplifies a proto-Romanesque stylistic school, characterized by its robust, often simplified iconography. Common designs for such deniers include a central cross, frequently cantonated, on one side, and a stylized monogram of the issuing bishop—in this case, Frédéric—or a rudimentary bust on the other. The overall aesthetic prioritizes clear identification and symbolic representation over intricate detail, reflecting the functional nature of the coinage.

Technical/Grading: Struck on a silver flan weighing 1.12 grams, this Denier exhibits technical qualities typical of 11th-century minting. High-points susceptible to wear include the center of the cross, the highest relief areas of the monogram or bust, and the outer edges of any legends. Strikes are often irregular, featuring off-center alignment, variable pressure, and occasional double striking due to manual production methods. The flans themselves are frequently unevenly shaped, contributing to the rustic charm and unique character of each individual piece.

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