Danh mục
| Đơn vị phát hành | Bishopric of Geneva |
|---|---|
| Năm | 1031-1073 |
| Loại | Standard circulation coin |
| Mệnh giá | 1 Denier |
| Tiền tệ | Denier (1019-1135) |
| Chất liệu | Silver |
| Trọng lượng | 1.12 g |
| Đường kính | |
| Độ dày | |
| Hình dạng | Round (irregular) |
| Kỹ thuật | Hammered |
| Hướng | |
| Nghệ nhân khắc | |
| Lưu hành đến | |
| Tài liệu tham khảo | HMZ 1#1-289a |
| Mô tả mặt trước | Small cross pattée. |
|---|---|
| Chữ viết mặt trước | |
| Chữ khắc mặt trước | + GENEVA CIVITAS |
| Mô tả mặt sau | Stylised temple. |
| Chữ viết mặt sau | |
| Chữ khắc mặt sau | +FREDERICS EPS |
| Cạnh | |
| Xưởng đúc | |
| Số lượng đúc |
ND (1031-1073) - - |
| ID Numisquare | 4495188840 |
| Thông tin bổ sung |
Historical Context: This Denier, issued by the Bishopric of Geneva, dates from the episcopate of Bishop Frédéric (1031-1073). During this mid-11th century period, bishops within the Holy Roman Empire frequently exercised significant secular power, including the crucial regalian right of coinage. Frédéric’s issuance of currency underscored the Bishopric's burgeoning autonomy and economic authority within the Kingdom of Arelat, asserting its sovereign status and control over regional commerce at a time of decentralised power.
Artistry: The engraver of this Denier remains anonymous, typical for the early medieval era. The coin exemplifies a proto-Romanesque stylistic school, characterized by its robust, often simplified iconography. Common designs for such deniers include a central cross, frequently cantonated, on one side, and a stylized monogram of the issuing bishop—in this case, Frédéric—or a rudimentary bust on the other. The overall aesthetic prioritizes clear identification and symbolic representation over intricate detail, reflecting the functional nature of the coinage.
Technical/Grading: Struck on a silver flan weighing 1.12 grams, this Denier exhibits technical qualities typical of 11th-century minting. High-points susceptible to wear include the center of the cross, the highest relief areas of the monogram or bust, and the outer edges of any legends. Strikes are often irregular, featuring off-center alignment, variable pressure, and occasional double striking due to manual production methods. The flans themselves are frequently unevenly shaped, contributing to the rustic charm and unique character of each individual piece.