カタログ
| 発行体 | Bishopric of Geneva |
|---|---|
| 年号 | 1031-1073 |
| 種類 | Standard circulation coin |
| 額面 | 1 Denier |
| 通貨 | Denier (1019-1135) |
| 材質 | Silver |
| 重量 | 1.12 g |
| 直径 | |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Hammered |
| 向き | |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | HMZ 1#1-289a |
| 表面の説明 | Small cross pattée. |
|---|---|
| 表面の文字体系 | |
| 表面の銘文 | + GENEVA CIVITAS |
| 裏面の説明 | Stylised temple. |
| 裏面の文字体系 | |
| 裏面の銘文 | +FREDERICS EPS |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
ND (1031-1073) - - |
| Numisquare ID | 4495188840 |
| 追加情報 |
Historical Context: This Denier, issued by the Bishopric of Geneva, dates from the episcopate of Bishop Frédéric (1031-1073). During this mid-11th century period, bishops within the Holy Roman Empire frequently exercised significant secular power, including the crucial regalian right of coinage. Frédéric’s issuance of currency underscored the Bishopric's burgeoning autonomy and economic authority within the Kingdom of Arelat, asserting its sovereign status and control over regional commerce at a time of decentralised power.
Artistry: The engraver of this Denier remains anonymous, typical for the early medieval era. The coin exemplifies a proto-Romanesque stylistic school, characterized by its robust, often simplified iconography. Common designs for such deniers include a central cross, frequently cantonated, on one side, and a stylized monogram of the issuing bishop—in this case, Frédéric—or a rudimentary bust on the other. The overall aesthetic prioritizes clear identification and symbolic representation over intricate detail, reflecting the functional nature of the coinage.
Technical/Grading: Struck on a silver flan weighing 1.12 grams, this Denier exhibits technical qualities typical of 11th-century minting. High-points susceptible to wear include the center of the cross, the highest relief areas of the monogram or bust, and the outer edges of any legends. Strikes are often irregular, featuring off-center alignment, variable pressure, and occasional double striking due to manual production methods. The flans themselves are frequently unevenly shaped, contributing to the rustic charm and unique character of each individual piece.