Catálogo
| Emisor | Bishopric of Geneva |
|---|---|
| Año | 1031-1073 |
| Tipo | Standard circulation coin |
| Valor | 1 Denier |
| Moneda | Denier (1019-1135) |
| Composición | Silver |
| Peso | 1.12 g |
| Diámetro | |
| Grosor | |
| Forma | Round (irregular) |
| Técnica | Hammered |
| Orientación | |
| Grabador(es) | |
| En circulación hasta | |
| Referencia(s) | HMZ 1#1-289a |
| Descripción del anverso | Small cross pattée. |
|---|---|
| Escritura del anverso | |
| Leyenda del anverso | + GENEVA CIVITAS |
| Descripción del reverso | Stylised temple. |
| Escritura del reverso | |
| Leyenda del reverso | +FREDERICS EPS |
| Canto | |
| Casa de moneda | |
| Tirada |
ND (1031-1073) - - |
| ID de Numisquare | 4495188840 |
| Información adicional |
Historical Context: This Denier, issued by the Bishopric of Geneva, dates from the episcopate of Bishop Frédéric (1031-1073). During this mid-11th century period, bishops within the Holy Roman Empire frequently exercised significant secular power, including the crucial regalian right of coinage. Frédéric’s issuance of currency underscored the Bishopric's burgeoning autonomy and economic authority within the Kingdom of Arelat, asserting its sovereign status and control over regional commerce at a time of decentralised power.
Artistry: The engraver of this Denier remains anonymous, typical for the early medieval era. The coin exemplifies a proto-Romanesque stylistic school, characterized by its robust, often simplified iconography. Common designs for such deniers include a central cross, frequently cantonated, on one side, and a stylized monogram of the issuing bishop—in this case, Frédéric—or a rudimentary bust on the other. The overall aesthetic prioritizes clear identification and symbolic representation over intricate detail, reflecting the functional nature of the coinage.
Technical/Grading: Struck on a silver flan weighing 1.12 grams, this Denier exhibits technical qualities typical of 11th-century minting. High-points susceptible to wear include the center of the cross, the highest relief areas of the monogram or bust, and the outer edges of any legends. Strikes are often irregular, featuring off-center alignment, variable pressure, and occasional double striking due to manual production methods. The flans themselves are frequently unevenly shaped, contributing to the rustic charm and unique character of each individual piece.