Denier Bracteate Reval

発行体 Danish Estonia
年号 1219-1346
種類 Standard circulation coin
額面 1 Denier (Hohlpfennig)
通貨 Denier (1219-1346)
材質 Silver
重量 0.12 g
直径 15 mm
厚さ
形状 Round (irregular)
製造技法 Hammered (bracteate)
向き
彫刻師
流通終了年
参考文献 Haljak II#4
表面の説明 Face surrounded by a wavy circle.
表面の文字体系
表面の銘文
裏面の説明 Uniface (brakteat).
裏面の文字体系
裏面の銘文
Smooth.
鋳造所
鋳造数 ND (1219-1346) - -
Numisquare ID 1064486630
追加情報

Historical Context: This Denier Bracteate originates from Danish Estonia, specifically minted in Reval (modern Tallinn) during the period of Danish suzerainty from 1219 to 1346. This era commenced with Valdemar II's conquest, establishing a crucial outpost for Danish influence and trade in the eastern Baltic. The issuance of these small silver bracteates facilitated local commerce and asserted Danish economic authority within the newly acquired territory, particularly in Reval, which rapidly grew into a significant Hanseatic city. These coins represent the monetary infrastructure of a burgeoning medieval port under foreign rule.

Artistry: The engraver of this Denier Bracteate remains anonymous, typical for medieval coinage of this type and denomination. Stylistically, it belongs to the broader Germanic bracteate tradition, characterized by single-sided, thin-flan coinage. While specific designs for Haljak II#4 would be precise, Reval bracteates of this period commonly feature a central cross, often with lilies or other symbols in the angles, or a simplified city emblem. The design is necessarily concise and robust, dictated by the thinness of the flan and the striking method, prioritizing symbolic clarity over intricate detail.

Technical/Grading: Struck on an exceptionally thin silver flan, weighing only 0.12 grams and measuring 15 millimeters, this bracteate is inherently fragile. High-points, such as the central elements of a cross or the outer contours of any stylized motif, are frequently weak, flat, or incompletely struck due to the nature of the striking process. The thinness of the metal often results in minor flan splits, tears, or irregular shapes. Off-centering is also common. A well-centered example with a strong, complete strike across the main design elements, despite inherent limitations, would be considered highly desirable.

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