目录
| 发行方 | Saint Gall, Abbey of |
|---|---|
| 年份 | 1000-1100 |
| 类型 | Standard circulation coin |
| 面值 | 1 Denier |
| 货币 | Pfennig (947-1406) |
| 材质 | Silver |
| 重量 | |
| 直径 | |
| 厚度 | |
| 形状 | Round with 4 pinches |
| 制作工艺 | Hammered |
| 方向 | Variable alignment ↺ |
| 雕刻师 | |
| 流通至 | |
| 参考资料 | Kluge Kar#509 |
| 正面描述 | Bust with stick. |
|---|---|
| 正面文字 | |
| 正面铭文 | |
| 背面描述 | Lamb of God. |
| 背面文字 | |
| 背面铭文 | |
| 边缘 | |
| 铸币厂 | |
| 铸造量 |
ND (1000-1100) - - |
| Numisquare 编号 | 9067124950 |
| 附加信息 |
Historical Context: This anonymous denier originates from the powerful Abbey of Saint Gall, a prominent Imperial Abbey within the Holy Roman Empire, during the period of 1000-1100. This era, spanning the late Ottonian and early Salian dynasties, was characterized by significant ecclesiastical autonomy and the consolidation of temporal power by great abbeys. Saint Gall possessed extensive regalian rights, including coinage. The issuance of an anonymous denier underscores the abbey's established authority and economic independence, a common practice among powerful ecclesiastical mints of the High Middle Ages.
Artistry: The design of this anonymous denier lacks an explicit engraver's mark or abbot's name. Stylistically, it aligns with nascent Romanesque art of the early High Middle Ages, exhibiting a simplified, almost abstract quality. Designs typically feature a central cross, often a cross potent, on the obverse, and a stylized temple, bust, or monogrammatic representation of SCS GALLVS on the reverse. The execution, while not aiming for classical realism, conveys a robust, symbolic power inherent to the era's spiritual and temporal iconography.
Technical/Grading: As is typical for deniers of this period, strike quality varies. High-points susceptible to wear include the central elements of the cross and any facial or architectural details. Technical strike characteristics often include an irregular flan shape, off-center striking, and areas of weak impression, particularly along the periphery, due to manual striking techniques and uneven die pressure. Double striking is also common. The silver purity was generally maintained to ensure local acceptance.