Catálogo
| Emisor | Saint Gall, Abbey of |
|---|---|
| Año | 1000-1100 |
| Tipo | Standard circulation coin |
| Valor | 1 Denier |
| Moneda | Pfennig (947-1406) |
| Composición | Silver |
| Peso | |
| Diámetro | |
| Grosor | |
| Forma | Round with 4 pinches |
| Técnica | Hammered |
| Orientación | Variable alignment ↺ |
| Grabador(es) | |
| En circulación hasta | |
| Referencia(s) | Kluge Kar#509 |
| Descripción del anverso | Bust with stick. |
|---|---|
| Escritura del anverso | |
| Leyenda del anverso | |
| Descripción del reverso | Lamb of God. |
| Escritura del reverso | |
| Leyenda del reverso | |
| Canto | |
| Casa de moneda | |
| Tirada |
ND (1000-1100) - - |
| ID de Numisquare | 9067124950 |
| Información adicional |
Historical Context: This anonymous denier originates from the powerful Abbey of Saint Gall, a prominent Imperial Abbey within the Holy Roman Empire, during the period of 1000-1100. This era, spanning the late Ottonian and early Salian dynasties, was characterized by significant ecclesiastical autonomy and the consolidation of temporal power by great abbeys. Saint Gall possessed extensive regalian rights, including coinage. The issuance of an anonymous denier underscores the abbey's established authority and economic independence, a common practice among powerful ecclesiastical mints of the High Middle Ages.
Artistry: The design of this anonymous denier lacks an explicit engraver's mark or abbot's name. Stylistically, it aligns with nascent Romanesque art of the early High Middle Ages, exhibiting a simplified, almost abstract quality. Designs typically feature a central cross, often a cross potent, on the obverse, and a stylized temple, bust, or monogrammatic representation of SCS GALLVS on the reverse. The execution, while not aiming for classical realism, conveys a robust, symbolic power inherent to the era's spiritual and temporal iconography.
Technical/Grading: As is typical for deniers of this period, strike quality varies. High-points susceptible to wear include the central elements of the cross and any facial or architectural details. Technical strike characteristics often include an irregular flan shape, off-center striking, and areas of weak impression, particularly along the periphery, due to manual striking techniques and uneven die pressure. Double striking is also common. The silver purity was generally maintained to ensure local acceptance.