| Эмитент | Quedlinburg, Abbey of |
|---|---|
| Год | 1110-1125 |
| Тип | Standard circulation coin |
| Номинал | 1 Denier |
| Валюта | Denier |
| Состав | Silver |
| Вес | |
| Диаметр | |
| Толщина | |
| Форма | Round (irregular) |
| Техника | Hammered |
| Ориентация | Variable alignment ↺ |
| Гравёр(ы) | |
| В обращении до | |
| Каталожные номера | Kluge Kar#442 |
| Описание аверса | Half-left bust of the abbess with crosier, blessing with her right hand. |
|---|---|
| Письменность аверса | Latin |
| Надписи аверса | +ANGNES ABA |
| Описание реверса | Blessing hand in front of a cross. |
| Письменность реверса | Latin |
| Надписи реверса | +DEXTERA DOM |
| Гурт | |
| Монетный двор | |
| Тираж |
ND (1110-1125) - - |
| ID Numisquare | 2285867800 |
| Дополнительная информация |
Historical Context: The Denier of Agnès Ire, struck between 1110 and 1125, originates from the Imperial Abbey of Quedlinburg, a powerful ecclesiastical principality within the Holy Roman Empire. Agnès I, a prominent figure and sister of Emperor Lothair III, presided over the abbey during a period of significant political and religious transition following the Investiture Controversy. Her coinage underscores Quedlinburg's economic autonomy and its abbess's imperial standing, reflecting the fragmented power structures of early 12th-century Germany.
Artistry: This Denier, referenced as Kluge Kar#442, exemplifies the Romanesque numismatic style prevalent in early medieval German mints. While the engraver remains anonymous, the design typically features a stylized bust, likely representing Abbess Agnès or St. Servatius, on the obverse. The reverse commonly displays a prominent cross, often adorned with pellets or small architectural elements, reflecting the abbey's spiritual authority. Its aesthetic is symbolic rather than naturalistic, typical of the era's conventions.
Technical/Grading: As with most hammered coinage of the period, the technical strike quality of this Denier can vary considerably. High-points susceptible to wear include the facial features and drapery folds of the bust, as well as the central elements and terminals of the cross. Irregular flan shapes, off-center strikes, and areas of weak impression are common due to rudimentary minting processes. Well-centered examples with clear legends and strong relief on primary devices are exceptional for the type.