| Uitgever | Quedlinburg, Abbey of |
|---|---|
| Jaar | 1110-1125 |
| Type | Standard circulation coin |
| Waarde | 1 Denier |
| Valuta | Denier |
| Samenstelling | Silver |
| Gewicht | |
| Diameter | |
| Dikte | |
| Vorm | Round (irregular) |
| Techniek | Hammered |
| Oriëntatie | Variable alignment ↺ |
| Graveur(s) | |
| In omloop tot | |
| Referentie(s) | Kluge Kar#442 |
| Beschrijving voorzijde | Half-left bust of the abbess with crosier, blessing with her right hand. |
|---|---|
| Schrift voorzijde | Latin |
| Opschrift voorzijde | +ANGNES ABA |
| Beschrijving keerzijde | Blessing hand in front of a cross. |
| Schrift keerzijde | Latin |
| Opschrift keerzijde | +DEXTERA DOM |
| Rand | |
| Muntplaats | |
| Oplage |
ND (1110-1125) - - |
| Numisquare-ID | 2285867800 |
| Aanvullende informatie |
Historical Context: The Denier of Agnès Ire, struck between 1110 and 1125, originates from the Imperial Abbey of Quedlinburg, a powerful ecclesiastical principality within the Holy Roman Empire. Agnès I, a prominent figure and sister of Emperor Lothair III, presided over the abbey during a period of significant political and religious transition following the Investiture Controversy. Her coinage underscores Quedlinburg's economic autonomy and its abbess's imperial standing, reflecting the fragmented power structures of early 12th-century Germany.
Artistry: This Denier, referenced as Kluge Kar#442, exemplifies the Romanesque numismatic style prevalent in early medieval German mints. While the engraver remains anonymous, the design typically features a stylized bust, likely representing Abbess Agnès or St. Servatius, on the obverse. The reverse commonly displays a prominent cross, often adorned with pellets or small architectural elements, reflecting the abbey's spiritual authority. Its aesthetic is symbolic rather than naturalistic, typical of the era's conventions.
Technical/Grading: As with most hammered coinage of the period, the technical strike quality of this Denier can vary considerably. High-points susceptible to wear include the facial features and drapery folds of the bust, as well as the central elements and terminals of the cross. Irregular flan shapes, off-center strikes, and areas of weak impression are common due to rudimentary minting processes. Well-centered examples with clear legends and strong relief on primary devices are exceptional for the type.