| Emittent | Quedlinburg, Abbey of |
|---|---|
| Jahr | 1110-1125 |
| Typ | Standard circulation coin |
| Nennwert | 1 Denier |
| Währung | Denier |
| Material | Silver |
| Gewicht | |
| Durchmesser | |
| Dicke | |
| Form | Round (irregular) |
| Prägetechnik | Hammered |
| Ausrichtung | Variable alignment ↺ |
| Stempelschneider | |
| Im Umlauf bis | |
| Referenz(en) | Kluge Kar#442 |
| Aversbeschreibung | Half-left bust of the abbess with crosier, blessing with her right hand. |
|---|---|
| Aversschrift | Latin |
| Averslegende | +ANGNES ABA |
| Reversbeschreibung | Blessing hand in front of a cross. |
| Reversschrift | Latin |
| Reverslegende | +DEXTERA DOM |
| Rand | |
| Prägestätte | |
| Auflage |
ND (1110-1125) - - |
| Numisquare-ID | 2285867800 |
| Zusätzliche Informationen |
Historical Context: The Denier of Agnès Ire, struck between 1110 and 1125, originates from the Imperial Abbey of Quedlinburg, a powerful ecclesiastical principality within the Holy Roman Empire. Agnès I, a prominent figure and sister of Emperor Lothair III, presided over the abbey during a period of significant political and religious transition following the Investiture Controversy. Her coinage underscores Quedlinburg's economic autonomy and its abbess's imperial standing, reflecting the fragmented power structures of early 12th-century Germany.
Artistry: This Denier, referenced as Kluge Kar#442, exemplifies the Romanesque numismatic style prevalent in early medieval German mints. While the engraver remains anonymous, the design typically features a stylized bust, likely representing Abbess Agnès or St. Servatius, on the obverse. The reverse commonly displays a prominent cross, often adorned with pellets or small architectural elements, reflecting the abbey's spiritual authority. Its aesthetic is symbolic rather than naturalistic, typical of the era's conventions.
Technical/Grading: As with most hammered coinage of the period, the technical strike quality of this Denier can vary considerably. High-points susceptible to wear include the facial features and drapery folds of the bust, as well as the central elements and terminals of the cross. Irregular flan shapes, off-center strikes, and areas of weak impression are common due to rudimentary minting processes. Well-centered examples with clear legends and strong relief on primary devices are exceptional for the type.