目录
| 发行方 | Mauretania |
|---|---|
| 年份 | 10 |
| 类型 | Standard circulation coin |
| 面值 | 1 Denarius |
| 货币 | Denarius (25BC-40AD) |
| 材质 | Silver |
| 重量 | 2.97 g |
| 直径 | 19 mm |
| 厚度 | |
| 形状 | Round (irregular) |
| 制作工艺 | Hammered |
| 方向 | Variable alignment ↺ |
| 雕刻师 | |
| 流通至 | |
| 参考资料 | CNNM#253, MAA#150, SNG Copenhagen#561 |
| 正面描述 | Head of Juba as youthful Herakles right, wearing lion`s skin headdress. |
|---|---|
| 正面文字 | Latin |
| 正面铭文 | REX • IVBA |
| 背面描述 | Cornucopiae filled with grape bunches, ornate trident tied with fillet in background; E-T Λ-E around. |
| 背面文字 | Greek |
| 背面铭文 | E T Λ E |
| 边缘 | |
| 铸币厂 | |
| 铸造量 |
35 (10 AD) - - |
| Numisquare 编号 | 1222040640 |
| 附加信息 |
Historical Context: This Denarius, struck in 10 AD, originates from the client kingdom of Mauretania under King Juba II. Appointed by Augustus, Juba II was a highly educated monarch, a scholar whose reign was instrumental in integrating Mauretania into the Roman sphere. His marriage to Cleopatra Selene II, daughter of Mark Antony and Cleopatra VII, further enhanced his prestige. This coinage reflects his loyalty to Rome, asserting his regal authority and the economic stability of his kingdom during the Pax Romana from his capital, Caesarea.
Artistry: While the specific engraver is unknown, the artistic style of Juba II's denarii typically blends Roman imperial portraiture with Hellenistic aesthetics. The obverse invariably features a dignified, often diademed, portrait of Juba II, rendered with realistic yet idealized features. Reverse designs commonly depict symbols pertinent to Mauretania, such as local fauna, or incorporate Roman and Hellenistic mythological figures. These designs are executed with considerable skill, showcasing the refined artistic output of his royal mint at Caesarea.
Technical/Grading: This silver Denarius, weighing 2.97 grams and measuring 19 millimeters, aligns with expected specifications for Juba II's coinage, which often ran slightly lighter than contemporary imperial issues. For optimal grading, collectors prioritize a strong strike, especially on the high-points of the portrait—hair, diadem, and facial features—and clear definition of reverse elements. A well-centered strike on a sound flan, exhibiting minimal die wear and surface imperfections, signifies a premium example of this historically significant issue.