カタログ
| 発行体 | Mauretania |
|---|---|
| 年号 | 10 |
| 種類 | Standard circulation coin |
| 額面 | 1 Denarius |
| 通貨 | Denarius (25BC-40AD) |
| 材質 | Silver |
| 重量 | 2.97 g |
| 直径 | 19 mm |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Hammered |
| 向き | Variable alignment ↺ |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | CNNM#253, MAA#150, SNG Copenhagen#561 |
| 表面の説明 | Head of Juba as youthful Herakles right, wearing lion`s skin headdress. |
|---|---|
| 表面の文字体系 | Latin |
| 表面の銘文 | REX • IVBA |
| 裏面の説明 | Cornucopiae filled with grape bunches, ornate trident tied with fillet in background; E-T Λ-E around. |
| 裏面の文字体系 | Greek |
| 裏面の銘文 | E T Λ E |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
35 (10 AD) - - |
| Numisquare ID | 1222040640 |
| 追加情報 |
Historical Context: This Denarius, struck in 10 AD, originates from the client kingdom of Mauretania under King Juba II. Appointed by Augustus, Juba II was a highly educated monarch, a scholar whose reign was instrumental in integrating Mauretania into the Roman sphere. His marriage to Cleopatra Selene II, daughter of Mark Antony and Cleopatra VII, further enhanced his prestige. This coinage reflects his loyalty to Rome, asserting his regal authority and the economic stability of his kingdom during the Pax Romana from his capital, Caesarea.
Artistry: While the specific engraver is unknown, the artistic style of Juba II's denarii typically blends Roman imperial portraiture with Hellenistic aesthetics. The obverse invariably features a dignified, often diademed, portrait of Juba II, rendered with realistic yet idealized features. Reverse designs commonly depict symbols pertinent to Mauretania, such as local fauna, or incorporate Roman and Hellenistic mythological figures. These designs are executed with considerable skill, showcasing the refined artistic output of his royal mint at Caesarea.
Technical/Grading: This silver Denarius, weighing 2.97 grams and measuring 19 millimeters, aligns with expected specifications for Juba II's coinage, which often ran slightly lighter than contemporary imperial issues. For optimal grading, collectors prioritize a strong strike, especially on the high-points of the portrait—hair, diadem, and facial features—and clear definition of reverse elements. A well-centered strike on a sound flan, exhibiting minimal die wear and surface imperfections, signifies a premium example of this historically significant issue.